File consists of: brochure for music competition Concours OSM 1988 Strings and Winds, score of Carleton Weir Elliott String Quartet No. 1 in c minor, press release from Canada Council Touring Office regarding Tour Organizers' Workshops at the Banff Centre School of Management.
Storage Range
MG 3 Brandon University Teaching and Administration
1.20 Francis Chaplin
File consists of: score and parts for Haydn Trio No. 4, opus 11, no. 4 in F Major for flute (or treble recorder), violin and cello. First and third movements from Baryton Trio Hob.XI:11; second movement from Baryton Trio Hob.XI:17, mvt.3.
Publisher info: Amsterdam: J.J. Hummel, n.d.(1771), Plate 248.
Reprinted: London, UK: Schott & Co. Ltd, 1951
Arranger: Walter Bergmann, from the figured bass edition
Storage Range
MG 3 Brandon University Teaching and Administration
1.20 Francis Chaplin
File consists of: photocopied score, cello and violin parts to Chan Ka Nin: Among Friends, 1949.
Publisher info: Toronto, ON: Canadian Music Centre, 1990.
File also consists of: single photocopied first page of Walter Piston: Violin Sonata.
Publisher info: New York, NY: G. Schirmer/Associated Music Publishers, 1931.
Storage Range
MG 3 Brandon University Teaching and Administration
1.20 Francis Chaplin
File consists of: parts for Schubert Trio no. 2, D. 581 in B-flat major. Various photocopied pages from violin part.
Publisher Info: Leipzig: Breitkopf & Härtel, 1890, plate F.S. ??? (Series XXI, No.5)
Reprint: New York, NY: Schirmer/International Music Company, nd.
parts for Schubert Trio no. 1, D. 471 in B-flat major
Publisher info: Leipzig: Breitkopf & Härtel, 1890. Plate F.S. 38
Reprint: New York, NY: Schirmer/International Music Company, nd.
File also consists of: photocopy of Violin 1 part to Mozart String Quartet No. 17 in B-flat major, K. 458.
Publisher info: Leipzig: C.F. Peters, n.d.[ca.1882]. Ed.16. Plate 6686.
Some bowings, fingerings, other interpretive markings added.
Storage Range
MG 3 Brandon University Teaching and Administration
1.20 Francis Chaplin
File consists of: score and parts for Milhaud: Sonatine a Trois for violin, viola and violoncello, opus 221b.
Publisher info: Bryn Mawr, PA: Mercury Music Corp, 1947.
Storage Range
MG 3 Brandon University Teaching and Administration
1.20 Francis Chaplin
Red Cloud 'Makpiya-luta'. As a non-hereditary chief, Red Cloud became the most successful war leader of the Cheyenne and Sioux during the 1860's and the Indians' campaign to close the Bozeman Trail and keep the Powder River inviolate. The Sioux were victorious and with the signing of the Fort Laramic treaty in 1868 the army abandoned her forts within the Dakota's hunting grounds. Thus Red Cloud became one of the few Indians ever to win an armed conflict against the U.S. Army. (Harbaugh, P., 1982)
American Horse 'Wasechum Taschunka' (1840-1908). 'Wasechum Taschunka' took on the name American Horse following the death of his uncle ate the Battle of Slim Buttes. During the reservation days, he was considered a notable progressive and became a head Oglala spokesman. As an orator and diplomat, he represented his people in numerous negotiations with the federal government. Following the tragedy of Wounded Knee he became the leader of a unified Sioux delegation which traveled to Washington seeking a more equitable treatment for the Sioux. In his later years he traveled with Buffalo Bill and the Wild West Show. (Harbaugh, P., 1982)
Only weeks after they had been ordered by Agent McLaughlin (center) to arrest Sitting Bull as an attempt to calm the growing unrest from the Messiah Craze (Ghost Dance), the Sioux police pose victoriously for Barry's camera. The arrest attempt was disastrous, resulting in the deaths of six Indian police, Sitting Bull, his son Crow Foot and eight of Crow's followers. The panic which followed culminated in the infamous Wounded Knee affair two weeks later. Red Tomahawk (front center) killed Sitting Bull. (Harbaugh, P., 1982)
Following the travesty at Wounded Knee and the killing of Sitting Bull, Bull's followers and family found themselves outcasts within their own tribe as others feared the possible repercussions for collaborating with those who had refused to submit to the white man. This photograph shows one of the few ways Bull's family could now find to support themselves, a form of degrading prostitution performed before the camera. Bull's two surviving widows have cut their hair short as an expression of sorrow and grief in his death. (Harbaugh, P., 1982)
Dimensions
23 X 18.5 cm
Size Overall
51 X 41 cm
Medium
Black and white photograph
Condition
"Severe bowing back of both vertical edges away from mat. The tension holders on the back, which keep the back board snug, are coming loose."
Sitting Bull made only one tour with the Wild West Show, declining other invitations feeling his presence was needed by his followers at the Standing Rock Agency. This photograph was known to have been taken by David Notman, son of the premier Canadian photographer William Notman, during the summer of 1885. Barry likely obtained this copy of the negative from Notman himself. (Harbaugh, P., 1982)
Dimensions
15 X 10.5 cm
Size Overall
51 X 41 cm
Medium
Black and white photograph
Condition
Severe bowing back of both vertical edges away from mat.
The first photo of the famed Hunkpapa war chief, taken at Fort Buford, D.T. shortly after his surrender to major Guido Ilges, Fifth Infantry, following a short fight near the Poplar Camp Post, January 2, 1881. Four years earlier, in the valley of Little Bighorn, it was Gall, Sitting Bull's lieutenant and war chief, who rallied to meet Reno's initial charge and quickly turned it into a devastating retreat. Gall later crossed the Little Bighorn River and led the Sioux to triumph over Custer's contingent of the Seventh Cavalry. (Harbaugh, P., 1982)
Low Dog 'Xunka Kuciyedon' (b.1846) This respected warrior became a war chief at age 14. In January of 1876, Low Dog and his band joined a party of Northern Cheyenne at the Red Cloud Agency and planned to hunt in the Powder River County. In March of that year, Low Dog's people set up camp with a large non-agency band of Northern Cheyenne and a few Oglala Sioux near the union of the Little Powder and Powder River. On Saint Patrick's day this sleeping village was attacked and destroyed by Colonel J.J. Reynolds. During the night of March 17th the Indians managed to recapture their horses. Without provisions the mixed band traveled northward to join Crazy Horse and later Sitting Bull on the Little Bighorn, where Low Dog led his people against Custer and the 7th Cavalry. Low Dog's account of the battle was published many times. (Harbaugh, P., 1982)
Crow King 'Kangi Yatapi'. As a prisoner of war, Crow King posed for this picture in Barry's studio at Fort Buford, D.T., in the winter of 1881. During the battle of Little Bighorn, Crow King and his band of 80 warriors attacked Custer from the south, allowing Crazy Horse and Gall to encircle the doomed 7th Cavalry. (Harbaugh, P., 1982)
Gall 'Pizi' (ca. 1838-1895). A wise, fearless, and successful war chief, Gall was Sitting Bull's adopted brother and one of the few Indians for which the army offered a bounty. While visiting Fort Berthold, D.T., Gall was discovered and bayoneted by soldiers. Assumed to be dead, his body was abandoned by those in his camp, and in the bitter cold of a Dakota winter night Gall staggered some 20 miles in search of aid. Stabbed through his neck, belly and abdomen, it was nearly a year before he recovered completely. Gall poses, painted as if for battle, in Barry's Ford Buffalo studio shortly before he was sent to the Standing Rock Agency. (Harbaugh, P., 1982)
