For custodial history see the collection level description of the Lawrence Stuckey collection.
Scope and Content
Brandon Hills Church
Notes
View from northwest showing part of cemetery. Best neg.
[Mr. Stuckey had taped a print to the outside of the envelope. We have separated the negative and the print, numbering them OA3(1) and OA3(1a) respectively.]
For custodial history see the collection level description of the Lawrence Stuckey collection.
Scope and Content
Brandon Hills Church
Notes
View from northwest showing part of cemetery. Best neg.
[Mr. Stuckey had taped a print to the outside of the envelope. We have separated the negative and the print, numbering them OA3(1) and OA3(1a) respectively.]
Stuckey's notes: Back row (L to R): Mrs. Alden Blight, Wes. Stewart, Bessie Waugh (nee Roddick, later Chapman), Mary Baker, Alden Blight. Front row (L to R): Rachael Baker, Aletha Blight, Mr. Waugh. Courtesy of J.V. Baker.
Scope and Content
Portrait of the members of the Brandon Hills Church Choir.
Notes
Corresponds with negative 1-2002.3.9.OA2.
Repro Restriction
The McKee Archives is the copyright holder for the Stuckey materials.
For custodial history see the collection level description of the Lawrence Stuckey collection.
Scope and Content
Brandon Hills Church Choir
Notes
Left to right. Back row: Mrs. Alden Blight, Wes. Stewart, Bessie Waugh (nee Roddick, later Chapman), Mary Baker, Alden Blight. Front row: Rachael Baker, Aletha Blight, Mr. Waugh.
For custodial history see the collection level description of the Lawrence Stuckey collection.
Scope and Content
Interior of Brandon Hills Church
Notes
[Mr. Stuckey had taped a print to the outside of the envelope. We have separated the negative and the print, numbering them OA7(1) and OA7(1a) respectively.]
For custodial history see the collection level description of the Lawrence Stuckey collection.
Scope and Content
Interior of Brandon Hills Church
Notes
[Mr. Stuckey had taped a print to the outside of the envelope. We have separated the negative and the print, numbering them OA7(1) and OA7(1a) respectively.]
[Mr. Stuckey put two negatives in the same envelope and taped two prints to the outside . We have separated them and numbered the negatives (360a) and (360b) and the prints (360a-p) and (360b-p)].
[Mr. Stuckey put two negatives in the same envelope and taped two prints to the outside . We have separated them and numbered the negatives (360a) and (360b) and the prints (360a-p) and (360b-p)].
[Mr. Stuckey put two negatives in the same envelope and taped two prints to the outside . We have separated them and numbered the negatives (360a) and (360b) and the prints (360a-p) and (360b-p)].
[Mr. Stuckey put two negatives in the same envelope and taped two prints to the outside . We have separated them and numbered the negatives (360a) and (360b) and the prints (360a-p) and (360b-p)].
Mr. Stuckey's notes: Head end & tail end. This train picked up 4241 at Ameer which had been set out by No. 562 (see file 3011).
Custodial History
For custodial history see the collection level description of the Lawrence Stuckey collection.
Scope and Content
Image of Ex.W. 5945-5582-4241 on hill west of Minnedosa, Manitoba. Image was taken along the CPR Minnedosa & Bredenbury subdivision (ex. Manitoba & N.W. Railway).
Mr. Stuckey's notes: Head end & tail end. This train picked up 4241 at Ameer which had been set out by No. 562 (see file 3011).
Custodial History
For custodial history see the collection level description of the Lawrence Stuckey collection.
Scope and Content
Image of Ex.W. 5945-5582-4241 on hill west of Minnedosa, Manitoba. Image was taken along the CPR Minnedosa & Bredenbury subdivision (ex. Manitoba & N.W. Railway).
For history/bio information see the collection level description of the Lawrence Stuckey collection.
Custodial History
For custodial history see the collection level description of the Lawrence Stuckey collection.
Scope and Content
Series consists of slides created from photographs taken by Lawrence Stuckey during his travels throughout Manitoba, other parts of Canada and the United States. Although Lawrence and his wife Mavis travelled for pleasure, their destinations were often chosen deliberately to enable Lawrence to explore and photograph specific landscapes, flora and fauna.
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