This man was a shirt wearer and a medicine man. The scalp locks upon his shirt testify to his prowess as a warrior; the arrangement of his hair serves as a symbol of his sacred office as a tribal leader and medicine man. (Harbaugh, P., 1982).
Red Cloud 'Makpiya-luta'. As a non-hereditary chief, Red Cloud became the most successful war leader of the Cheyenne and Sioux during the 1860's and the Indians' campaign to close the Bozeman Trail and keep the Powder River inviolate. The Sioux were victorious and with the signing of the Fort Laramic treaty in 1868 the army abandoned her forts within the Dakota's hunting grounds. Thus Red Cloud became one of the few Indians ever to win an armed conflict against the U.S. Army. (Harbaugh, P., 1982)
Douglas Vincent Reiley was born in Amherst, N. S. He got his education in New Brunswick, London (England), and other places. Reiley worked both in two and three-dimensional media. He held various positions on Art Educational boards in Nova Scotia and Manitoba. For a period of time the artist worked as an art lecturer in Brandon. He spent 20 years at BU offering visual art courses. Reiley died in 1987. (1996 inventory)
Dimensions
76 X 50.5 cm
Size Overall
84 X 59 cm
Medium
oil
Condition
Bulging of surface - canvas loosely stretched. Mitre joints splitting in upper corners (TL and TR). Stretcher semi-detached from the frame in BL corner. Paint loss in area 22cm TL X 18.5cm L (c.. 0.5cm in diameter). Cracking of paint in the yellow area of the drum
Red Horse 'Xunktanka Stanewe'. During the spring of 1876, Red Horse moved his band from the region of the Cheyenne River traveling through the Rosebud Valley and met with a large contingent of Sioux assembling on the west bank of the Little Bighorn river. As a head chief within the council lodge of the largest recorded Sioux camp, Red Horse fought both Custer and Reno. In 1881 at the Cheyenne River Agency, S.D., Red Horse created 41 ledger drawings illustrating his part in the famed battle. His story was published by the Bureau of American Ethnology in their Tenth Annual Report. (Harbaugh, P., 1982)
Arthur D. Amiotte is a member of Oglala Sioux Tribe. Educated in the U.S., Amiotte has worked on and edited numerous native art and myth books. As a recognized artist, Amiotte won many awards and honors from various North American arts foundations. Amiotte has been exhibited extensively in the United States and Canada. (The Art Gallery of Southwestern Manitoba files)
