Furnishings, layouts and exhibits as at the time of opening. Allan Budlong (student), Barbara Ritchie (staff) Library Foyer, 2nd floor Library and Arts Building
Photograph shows two aboriginal women standing before a tipi in the brush.
Notes
Writing beneath the photograph in the album reads: At the Indian Settlement. Based on provenience of images in the album, the aboringals in question may be from the Michipicoten band.
Photograph was in the possession of L.J. Crocker and his daughter Frances Wollison (nee Crocker) until donation by the latter to McKee Archives in October 2005.
Scope and Content
Item consists of portraits of the Brandon College arts class of 1927 taken in 1924, and their motto: In Omnia Paratus.
Top Row (L to R): R.B. Scott; G.J. Coleman; H.R. Varcoe; M.A. Campbell; and A.W. Louseley.
Second Row (L to R): M. Wiseman; E.M. Irish (Vice Pres.); R.E. Clement (Sec. Treas.); and E.B. Lynch.
Third Row (L to R): M.C. Sparling; Dr. Sweet (President); P.D. Campbell (Class Pres.); L.J. Crocker (Hon. Pres.); and O. Moors.
Fourth Row (L to R): J. I. Drysdale; M.A. Sweet; A.A. Brandon; and G. Godley.
Fifth Row (L to R): R.M. Bowering; I.H. Sutherland; G.A. Little; F.e. Hitchcock; J.e. Bolton; F.A. Day; and M.A. Yeo.
Sixth Row (L to R): R.E. Willey; A.W. Derby; L.G. McPherson; M.R. Fargey; H. Hainstock; and L.L. Robertson.
Seventh Row (L to R): M. Flemming; C. Sheridan; L.B. Coleman; H.P. Clarke; D.I. Robertson; and E.A. Yeo.
Eighth Row (L to R): I.M. Weisbrod; S.J. Westaway; D. Heath; L.R. Dennison; R.A. Hydman; L.J. Mayo; and J. McLellan.
The Brandon University Photograph collection is an artifically created collection. It includes photographs from both Brandon College and Brandon University.
Custodial History
The custodial history is varied. Some photographs were created by officers of the College and the University, or were produced at the request of the institution. Many, as well, have been donated by former faculty members and students. We have tried to record the custodial history for photographs that have been donated by faculty members and students at the item level.
Scope and Content
Fonds has been divided into eleven series, including: (1) Convocation, Scholarships and Awards; (2) Campus Buildings; (3) Library Activities and Archives; (4) Faculties and Schools; (5) Student Activities; (6) Administrative and Support Units; (7) Sports; (8) Portraits; (9) Oversize; (10) Special Events; and (11) Documents, Diplomas and Certificates.
Photograph was given to Fred McGuinness by Linda Bilkoski (nee Lepard) of Lac du Bonnet, MB.
Scope and Content
Photograph shows a group of young students holding violins standing on the steps in front of Earl Haig School.
Notes
Writing on the back of the photograph reads: Edith (Harden) Lepard, Russell Scott, Phyllis Howick, Miss Brown (conductor), Orville Studen, Pete Teresko, Beth McLean, and Andy Teva. "Earl Haig Orchestra" 1930.
Photograph was given to Fred McGuinness by Linda Bilkoski (nee Lepard) of Lac du Bonnet, MB.
Scope and Content
Photograph shows a group of young students holding violins standing on the lawn in front of Earl Haig School. One musician holds a trophy or plaque.
Notes
Students in this photograph are consistent with another in this collection (1-2015.71), Edith (Harden) Lepard, Russell Scott, Phyllis Howick, Orville Studen, Pete Teresko, Beth McLean, and Andy Teva.
Education curriculum collection room opening westward off Library Reading Room, Library and Arts Building. L. to R. Ralph Berry, Margaret Ariss and students
Encyclopedia of World Art Library Reading Room, 2nd floor Library and Arts Building. Presentation by the Brandon College Alumni Association of a cheque for the final payment on the Encyclopedia of World Art as a memorial to Ernestine R.W. Whiteside, former Lady Principal of Clark Hall. L to R William Bridgett, President, BCAA; F. Joan Garnett, General Secretary, BCAA; Eileen McFadden, College Librarian; Dr. R.F. B. King, Associate Dean of Arts and Chairman, Faculty Library Committee
William McGuinness, Fred's father, raised and bred chickens with N.W. Kerr. The General Haig won first place in the Cornish Cock category at the Manitoba Poultry Show in March 1917.
Scope and Content
Postcard is a portrait of a chicken, breed is a General Haig.
Notes
Writing on the front of the postcard reads: Gen. Haig; 1st Cornish Cock; Man. Poultry Show Mar. 1917; Kerr & McGuinness; Brandon, Man.
According to the website www.harleminhavana.com, The Harlem in Havana revue was the largest touring attraction in Royal American Shows’ North American traveling carnival exhibition from 1936 to 1967. Amateur and professional performers from Harlem's Cotton Club and Havana's Tropicana Nightclub performed comedy, dance, music, and theatre routines as part of the revue.
Scope and Content
Photograph shows the Harlem in Havana band performing behind a pair of dancers.
Notes
Photograph sent to Fred McGuinness, Premier’s Office, Parliament Building, Regina, Saskatchewan, Canada, from Harry B. Julius, Tampa, Florida. Photographs possibly sent to McGuinness for consideration for entertainment for the Saskatchewan Golden Jubilee.
According to the website www.harleminhavana.com, The Harlem in Havana revue was the largest touring attraction in Royal American Shows’ North American traveling carnival exhibition from 1936 to 1967. Amateur and professional performers from Harlem's Cotton Club and Havana's Tropicana Nightclub performed comedy, dance, music, and theatre routines as part of the revue.
Scope and Content
Photograph shows the Harlem in Havana band performing behind a pair of dancers. A man leaps over his female dance partner who is partially seated in the splits.
Notes
Photograph sent to Fred McGuinness, Premier’s Office, Parliament Building, Regina, Saskatchewan, Canada, from Harry B. Julius, Tampa, Florida. Photographs possibly sent to McGuinness for consideration for entertainment for the Saskatchewan Golden Jubilee.
According to the website www.harleminhavana.com, The Harlem in Havana revue was the largest touring attraction in Royal American Shows’ North American traveling carnival exhibition from 1936 to 1967. Amateur and professional performers from Harlem's Cotton Club and Havana's Tropicana Nightclub performed comedy, dance, music, and theatre routines as part of the revue.
Scope and Content
Photograph shows a musician at a keyboard while a female dancer sits atop the piano. The Harlem in Havana band is in the background.
Notes
Photograph sent to Fred McGuinness, Premier’s Office, Parliament Building, Regina, Saskatchewan, Canada, from Harry B. Julius, Tampa, Florida. Photographs possibly sent to McGuinness for consideration for entertainment for the Saskatchewan Golden Jubilee.
According to the website www.harleminhavana.com, The Harlem in Havana revue was the largest touring attraction in Royal American Shows’ North American traveling carnival exhibition from 1936 to 1967. Amateur and professional performers from Harlem's Cotton Club and Havana's Tropicana Nightclub performed comedy, dance, music, and theatre routines as part of the revue.
Scope and Content
Photograph shows the Harlem in Havana band backing up a male soloist wearing tattered clothes.
Notes
Photograph sent to Fred McGuinness, Premier’s Office, Parliament Building, Regina, Saskatchewan, Canada, from Harry B. Julius, Tampa, Florida. Photographs possibly sent to McGuinness for consideration for entertainment for the Saskatchewan Golden Jubilee.
According to the website www.harleminhavana.com, The Harlem in Havana revue was the largest touring attraction in Royal American Shows’ North American traveling carnival exhibition from 1936 to 1967. Amateur and professional performers from Harlem's Cotton Club and Havana's Tropicana Nightclub performed comedy, dance, music, and theatre routines as part of the revue.
Scope and Content
Photograph shows a trio of dancers at centre stage. The Harlem in Havana band is in the background.
Notes
Photograph sent to Fred McGuinness, Premier’s Office, Parliament Building, Regina, Saskatchewan, Canada, from Harry B. Julius, Tampa, Florida. Photographs possibly sent to McGuinness for consideration for entertainment for the Saskatchewan Golden Jubilee.
According to the website www.harleminhavana.com, The Harlem in Havana revue was the largest touring attraction in Royal American Shows’ North American traveling carnival exhibition from 1936 to 1967. Amateur and professional performers from Harlem's Cotton Club and Havana's Tropicana Nightclub performed comedy, dance, music, and theatre routines as part of the revue.
Scope and Content
Photograph shows a band and dance troop. Centre stage are a couple dressed in white.
Notes
Photograph sent to Fred McGuinness, Premier’s Office, Parliament Building, Regina, Saskatchewan, Canada, from Harry B. Julius, Tampa, Florida. Photographs possibly sent to McGuinness for consideration for entertainment for the Saskatchewan Golden Jubilee.
According to the website www.harleminhavana.com, The Harlem in Havana revue was the largest touring attraction in Royal American Shows’ North American traveling carnival exhibition from 1936 to 1967. Amateur and professional performers from Harlem's Cotton Club and Havana's Tropicana Nightclub performed comedy, dance, music, and theatre routines as part of the revue.
Scope and Content
Photograph shows the Harlem in Havana band and dance troop. A pair of drummers are featured at centre stage.
Notes
Photograph sent to Fred McGuinness, Premier’s Office, Parliament Building, Regina, Saskatchewan, Canada, from Harry B. Julius, Tampa, Florida. Photographs possibly sent to McGuinness for consideration for entertainment for the Saskatchewan Golden Jubilee.
Donated by John G. Townsend of Seal Rock, Oregon (husband of the late I. McVicar) in December 1963.
Scope and Content
Item consists of portraits of members of Brandon College's Intermediate Piano class, 1911, with a photograph of W.L. Wright (Instructor) in the middle. Students include: L. Smith; I. McVicar; E.M. Moore; F.E. Whitman; and Lina Smith.
Layout and exhibits for opening; painting of Brandon College Library and Arts Building, Library Reading Room looking South. Female student in centre foreground: Enid Currie '61, Male student centre left: Clare Pangman
