"Beardy's brilliant application of color is drawn from his dreams. The geography of his paintings is a blend of the visible universe and the invisible powers that animate the visible, and give it life and meaning. The time in which the works are set is mythological time, before history. The paintings are not separate from the major themes of Jackson's life and in fact parallel his own growth and spiritual development. They dealt not only with the mysteries of matter but also with those of creation and life; they sought to harmonize the human individual with the universe, Jackson's alchemy is performed between two socio-political worlds. He struggled to be effective and to balance his own life between two powerful unseen Manitou forces." (Colleen Cutschall, p. 22)
Cesari, born in Corsica, later moved to Florence, where he studied art. Between 1940 and 1946 he studied at various schools in Paris. Cesari, a personal friend of Henri and Yvonne Franq (members of College faculty), visited them in the spring of 1966 and held an exhibition in the Music Building, opening April 16.
