"Sanctioned by the Council of Public Instruction, Quebec, for the elementary and model schools, protestant and Catholic and as a general English reader in French schools"
Rain-in-the-Face 'Iromagaja'. The first photograph of Rain-in-the-Face, taken shortly before his arrest and incarceration at Fort Lincoln in 1874. He was one of the leaders during the Fetterman disaster of 1866, the worst defeat the U.S. Army had suffered on the frontier up to that time. His prowess as a warrior continued throughout the Sioux Wars. Wounded and lamed during the fight, he led his band against Custer, and later followed Sitting Bull into exile in Canada. Rain-in-the-Face and his followers surrendered to General Miles at Fort Keogh, Montana, in September of 1880. (Harbaugh, P., 1982)
James (Jock) W. G. MacDonald was born in Thurso, Scotland in 1867. He studied at Edinburgh College of Art, and later worked as a fabric designer. He taught at Lincoln School of Art; Vancouver School of Art; School of Decorative and Applied Arts, Vancouver; Provincial Institute of Technology and Art, Calgary; and at Ontario College of Art after 1947. MacDonald was a member of Canadian Group of Painters and Painters Eleven. He died in Toronto in 1960. The artist was conducting independent experiments in Vancouver while the others worked in Winnipeg and Toronto. He had painted 'automatics' by 1934 and completely abstract or non-objective works by 1935 or 1936. (Painting in Canada: A History. Harper J. Russel. U of Toronto Press, 1977. P 327) Jock MacDonald was one of Canada's first painters to explore the relationship between abstraction and landscape. What MacDonald did is take the formal qualities of his subjects and isolate or abstract them form the landscape. (The History of Painting in Canada. Barry Lord. Toronto: NC Press, 1974. P 205-7)
Dimensions
23.5 X 33.5 cm
Size Overall
45 X 52.5 cm
Medium
watercolor
Condition
Slight cockling of surface.
Primary Support
paper
Secondary Support
mat, plexiglass, backing board; frame - wood and plaster with gild
Photograph mat is bent. Emulsion problems with image.
Scope and Content
Photograph shows Rosser Avenue in its incipient stages. Canvas tents are mixed amongst wooden structures. The James Smart Hardware store, Winter & O'Neail Groceries & Provisions, and the law office of F.G.A. Henderson in the Molesworth Block can be seen on the north side of Rosser Avenue. A street sign designating 6th Street can be seen below the Winter & O'Neail sign. A horse and buggie is traveling down the dirt track that is Rosser Avenue. Groups of men can be seen congregating outside some of the local businesses.
Notes
Front of photograph reads: Rosser Avenue, Brandon 1882-1883, from east of Six Street. Back of photograph is stamped: I. Bennetto & Co., Photographers, Opposite Post-Office, Winnipeg, Man.
Photograph shows the 800 block of Rosser Avenue facing west. On the south side of Rosser Avenue the Nation Block, Christie's Bookstore, and Reesor's Clock can be seen. A number of horse and buggies/carriages are travelling along Rosser Avenue.
Painting (native) “This painting took its original inspiration from the designs made by students of the 1978 Summer Native Art Class.“It was edited, redesigned, and painted by Karen Harris, Ernie T. Monias, and Sid Harris, and it represents the essential unity of diverse Native cultures.“The fire is the life given to us by the sun. We share this life, as relatives, with the plants and animals that nourish us and teach us about our place on this earth.“The Cree syllables say: ‘This talk together has been good.’” – taken from a piece of paper in hard copy of database.
