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Lady and Senior Stick were honorific positions that existed during the Brandon College era. The offices of Senior Stick and Lady Stick were replaced by the offices of President and Vice-President of the Brandon College Students' Association on January 29, 1966. The change was the result of proposed changes to the B.C.S.A. constitution passed almost unanimously by the student body; the office of President enabled a co-ed to hold the highest student office, which was impossible under the previous system. Following the change in 1966, the Class Presidents were renamed faculty Sticks. At some point during the Brandon University era the faculty Stick positions were renamed faculty commissioners. The use of "stick" appears to be a particularly Canadian one.
The stick of office was carried by the incumbent as a symbol of his or her position.
Like the sticks of office at other universities and colleges in Canada, the Brandon Lady's stick is composed of an elongated wooden rod, painted or stained dark, with a metal bottom cap and an ornamental metal top in silver. The Brandon College Lady's stick also contains silver rings dating from the 1923-1924 school year, each ring containing the name of the Lady Stick chosen for that year.
It was also customary to attach a ribbon(s) in the college colours (blue and gold) to the stick. The ribbons attached to the Brandon College Lady's stick were donated by the 1954-1955 Lady Stick Verda Peden (McDonald) in 2006.
Scope and Content
Item is the Brandon College Lady's stick.
Notes
Information in the History/Bio field was adapted from Wikipedia at: http://en.wikipedia.org/wiki/Senior_Stick (October 2006). Additional History/Bio information was taken from the March 1966 issue of Alumni News.
The Lady's stick was previously displayed in a glass fronted display case donated by the Class of 1966. Unfortunately, two holes were drilled in the stick to anchor it to the display case. The Senior stick was also displyed in the same case, however at some point prior to 1997 it disappeared from the display case.
The silver rings and crown on the stick easily tarnish, but can be shined with any silver polish.
Part of BU 16.3 Artifacts - other.
Arthur D. Amiotte is a member of Oglala Sioux Tribe. Educated in the U.S., Amiotte has worked on and edited numerous native art and myth books. As a recognized artist, Amiotte won many awards and honors from various North American arts foundations. Amiotte has been exhibited extensively in the United States and Canada. (The Art Gallery of Southwestern Manitoba files)
This painting was one of twelve done as part of Amiotte's requirements for the Master of Interdisciplinary Studies degree and has been widely exhibited. The artist's work is included in numerous private and public collections including the National Museum of the American Indian/Smithsonian and the Joslyn Art Museum.
Dimensions
122 X 182.5 cm
Size Overall
same as image
Medium
latex and acrylic
Condition
Stretcher frame is slightly twisted. Various marks on canvas in areas TR, crayon mark; MR, yellow accretion; BR, yellow accretion; and BL, pencil marks.
Frank Pimentel exhibited his works in numerous galleries in Toronto, Ottawa, Buffalo, Amsterdam, Los Angeles, and San Francisco. The artist is a recipient of many Canada Council and Ontario Arts Council Awards. His work is included in the collections of Canadian Art Bank, National Library of Canada, Canadian Museum of Contemporary Photography. (Art Gallery of Southwestern Manitoba)
Description
From 'Excerpts from a conversation with Frank Pimentel': "There are people I've photographed consistently over the years. They look a little different - they've changed. You can see something that's happened over time, and I almost have a series of certain people because I've photographed them so much..I think the restaurant is a place that hasn't been able to keep up with the way the world has changed, like at a certain point the people decided that it was time to give up. When I look at the work that I've done it makes sense that I've left the gaps that I have because I'm trying to say something about the place and the people, that the place itself relates to these people and the objects there just seem to - I guess the word is pathetic - they're worn. I get a sense that the people have given up and they are just going through time and they're not going to get any better.." (from Photo Communiqué).
Dimensions
31 X 31 cm
Size Overall
52.5 X 51.5 cm
Medium
Limited edition portfolio of 70 Ektacolor photographs