See MG 1 Brandon College Teaching and Administration, 1.11 Martin Johns fonds for custodial history.
Scope and Content
Group photograph labelled "Room Inspection, Brandon College, 1937." Tommy McLeod is in the top right corner. Sarah Persis Darrach (holding a lollypop) is fourth from the right in the back row. E.A. Birkinshaw is standing to her left. Martin Johns is crouched in front of Berkinshaw.
Notes
Writing on the back of the photo reads: "Martin. More lectures!"
Photograph shows the train station at the port of Mulgrave, Nova Scotia. Possibly the site where the HMCS Alachasse was docked when Fred McGuinness was a telegraphers in the Canadian Navy.
Notes
Writing on the back of the postcard reads: AZO post card
[According to Mr. Stuckey] it snowed continuously from Oct. 7 to 10th, giving [Brandon] the heaviest snowfall ever recorded in October - must have been about 40".
Custodial History
For custodial history see the collection level description of the Lawrence Stuckey collection.
Scope and Content
Canadian National Railway [passenger train] No. 6, with engines 1905 and 1906, in snow at station.
Notes
In this photo CNR No. 6 Edmonton-Regina-Winnipeg is running 10 hours late as an Extra train
[Note that the train has backed into the station located on Ninth Street, adjacent to the Prince Edward Hotel. P.E. 28/07/09.]
For biographical information on Sarah Persis Darrach see RG 1 Brandon College fonds, Series 9: Clark Hall women's residence.
Custodial History
See collection level description of the Maureen Johnson collection (10-2009) for custodial history.
Scope and Content
Photograph shows a soldier (?) laying on the x-ray table with Sarah Persis (Johnson) Darrach standing at the head of the table. Their is another man leaning against the opposite wall.
Notes
Writing on the back of the photograph states that Darrach had to stand still for 10 minutes while the photograph was taken.
Frank Pimentel's images of 'One Room Dwellings' provide a commentary on people's lives and their place in the society. The portraits of people in their homes, surrounded by objects that define their daily life, their aspirations or dreams, seem first straightforwardly objective. Nevertheless, the political content in these images is not accidentally delivered by the camera lens. Pimentel is not merely an eye behind the camera; rather than sentimental longings, the artist offers his audience a critical and at the same time understanding view of human condition.
Dimensions
40 X 32 cm
Size Overall
50.5 X 40.5 cm
Medium
Limited edition portfolio of 30 Ektacolor photographs
