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7 records – page 1 of 1.

Artist
Barry, D. F.
Collection
"Chiefs of the Sioux Wars and the Battle of Little Bighorn, published by Paul Harbaugh; Denver, Colorado, 1982."
Date
c.. 1885
Form
photograph
Series
portfolio 67/150
Description
Sitting Bull 'Tatanka Iyotanka' (1834-1890). The spiritual leader and head of the Hunkpapa warrior societies, Sitting Bull poses in Barry's studio wearing a crucifix of brass and wood. It was presented to him in June of 1868 by 'Black Robe', Father Pierre Jean De Smet, who had been sent by General Sherman to bring Sitting Bull and his hostiles to council. Without Sitting Bull the 'Laramic Treaty' council took place at Fort Rice, D.T., July 2, 1868. (Harbaugh, P., 1982)
Dimensions
16 X 11 cm
Size Overall
51 X 41 cm
Medium
Black and white photograph
Condition
Cockling of mat in TM.
Primary Support
paper
Secondary Support
mat, plexiglass, backing board; frame - metal
Accession Number
0426
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Artist
Barry, D. F.
Collection
"Chiefs of the Sioux Wars and the Battle of Little Bighorn, published by Paul Harbaugh; Denver, Colorado, 1982."
Date
c.. 1885-89
Form
photograph
Series
portfolio 67/150
Description
Sitting Bull 'Tatanka Iyotanka' (1834-1890). Most probably the last photograph of the legendary chief and vision seeker, Sitting Bull had guided his people for nearly 40 years during the times when Manifest Destiny sought her fortune within the lands of the Sioux . (Harbaugh, P., 1982)
Dimensions
15 X 11 cm
Size Overall
51 X 41 cm
Medium
Black and white photograph
Condition
good
Primary Support
paper
Secondary Support
mat, plexiglass, backing board; frame - metal
Accession Number
0436
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Artist
Barry, D. F.
Collection
"Chiefs of the Sioux Wars and the Battle of Little Bighorn, published by Paul Harbaugh; Denver, Colorado, 1982."
Date
c.. 1883-85
Form
photograph
Series
portfolio 67/150
Description
Sitting Bull 'Tatanka Iyotanka' (1834-1890). Having been civilized by two years of subjugation and stripped of his tribal authority by the white man, Sitting Bull remained the sentinel to which the traditional Sioux clang, resulting in his death as the Ghost Dance passed. (Harbaugh, P., 1982)
Dimensions
24 X 18.5 cm
Size Overall
51 X 41 cm
Medium
Black and white photograph
Condition
Left vertical edge bowed back away from mat.
Primary Support
paper
Secondary Support
mat, plexiglass, backing board; frame - metal
Accession Number
0441
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Sitting Bull's Family

http://archives.brandonu.ca/en/permalink/artworks33
Artist
Barry, D. F.
Collection
"Chiefs of the Sioux Wars and the Battle of Little Bighorn, published by Paul Harbaugh; Denver, Colorado, 1982."
Date
1891
Form
photograph
Series
portfolio 67/150
Description
Following the travesty at Wounded Knee and the killing of Sitting Bull, Bull's followers and family found themselves outcasts within their own tribe as others feared the possible repercussions for collaborating with those who had refused to submit to the white man. This photograph shows one of the few ways Bull's family could now find to support themselves, a form of degrading prostitution performed before the camera. Bull's two surviving widows have cut their hair short as an expression of sorrow and grief in his death. (Harbaugh, P., 1982)
Dimensions
23 X 18.5 cm
Size Overall
51 X 41 cm
Medium
Black and white photograph
Condition
"Severe bowing back of both vertical edges away from mat. The tension holders on the back, which keep the back board snug, are coming loose."
Primary Support
paper
Secondary Support
mat, plexiglass, backing board; frame - metal
Accession Number
455
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Artist
Bell, Alastair
Form
print
Date
no date
Accession Number
L-41
Artist
Bell, Alastair
Date
no date
Form
print
Dimensions
63.5 X 94 cm
Size Overall
unknown
Medium
woodcut
Condition
unknown
Primary Support
paper
Secondary Support
unknown
Accession Number
L-41
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Untitled (Landscape)

http://archives.brandonu.ca/en/permalink/artworks448
Artist
Bill, L.
Form
painting
Date
no date
Accession Number
0069
Artist
Bill, L.
Date
no date
Form
painting
Dimensions
34 X 50 cm
Size Overall
43 X 59 cm
Medium
watercolor
Condition
Frame has abrasion of gild on top and bottom horizontal arms. Backing paper ripped in various places.
Primary Support
paper
Secondary Support
glass, backing board; frame - wood with gild
Accession Number
0069
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Untitled (Tipi door cover)

http://archives.brandonu.ca/en/permalink/artworks447
Artist
Bignell, Peter
Form
painting
Date
1997
Accession Number
Pnt/260
Artist
Bignell, Peter
Other Artists
Dennis Cameron; Colleen Conrad; Betty Ebner; Linda Gordon; Dean Kidd; Elsie McCulley; Suzie McPherson; Sharon Myers; Garry Smith; Angelica Wuttke; Sanra Storn
Date
1997
Form
painting
Description
The tipi was raised at noon on Friday, August 15, 1997 in the Tipi Village at the Canada Summer Games site, Brandon, Manitoba. A pipe ceremony was conducted by elders Mary and Solomon Hall of Sioux Valley, Manitoba and a feast was provided by the students. At the conclusion of the Summer Games it was set up on the campus of Brandon University to welcome all to a new year. The painted sun on the eastern door cover symbolically welcomes the sun into and out of the tipi during it's daily journey. The cover is made with the intention to invite not only the sun, but everyone into the tipi. The red hands radiating from the sun are the hands of those who painted this tipi. The painted hand imprint is a most ancient image recorded by humans. It is a clear message of human presence and all that humanity means. These hands are reaching out like the rays of the sun to greet all with warmth in the 'Welcome Lodge'.
Dimensions
158 X 122 cm
Size Overall
same as image
Medium
acrylic
Notes
Designed and painted by the students of the Experiments in Traditional Art Forms class of 1997.
Condition
Canvas is heavily creased from storage. Severe cracks in paint throughout. Water stain in area TM, as well as a brown stain in area RM. There is a 66 cm vertical gash down the center of the image, but has been sewn up.
Primary Support
raw canvas
Secondary Support
straps
Accession Number
Pnt/260
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7 records – page 1 of 1.