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20 records – page 1 of 1.

Arikara Medicine Man

http://archives.brandonu.ca/en/permalink/artworks37
Artist
Barry, D. F.
Collection
"Chiefs of the Sioux Wars and the Battle of Little Bighorn, published by Paul Harbaugh; Denver, Colorado, 1982."
Date
c.. early 1870's
Form
photograph
Series
portfolio 67/150
Description
This man was a shirt wearer and a medicine man. The scalp locks upon his shirt testify to his prowess as a warrior; the arrangement of his hair serves as a symbol of his sacred office as a tribal leader and medicine man. (Harbaugh, P., 1982).
Dimensions
18 X 13.5 cm
Size Overall
51 X 41 cm
Medium
Black and white photograph
Condition
Right vertical edge is bowed back away from mat.
Primary Support
paper
Secondary Support
mat, plexiglass, backing board; frame - metal
Accession Number
0450
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Artist
Ferguson, Krista
Form
painting
Date
no date
Accession Number
Pnt/KF/077
Title Variation
Untitled (boxed man)
Artist
Ferguson, Krista
Date
no date
Form
painting
Dimensions
125.5 X 122 cm
Size Overall
130 X 126 cm
Medium
oil
Condition
good
Primary Support
canvas
Secondary Support
frame - wood
Accession Number
Pnt/KF/077
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Artist
Monias, Stanley
Form
painting
Accession Number
0109
Artist
Monias, Stanley
Form
painting
Dimensions
44.5 x 60 cm
Size Overall
46.5 X 61.5 cm
Medium
acrylic
Condition
Slight cockling of paper, esp. on L side of image
Primary Support
paper
Secondary Support
plexiglass, backing board; frame - metal
Accession Number
0109
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Old Man Spirit; Grey Glacier, Chile

http://archives.brandonu.ca/en/permalink/artworks767
Artist
Milne, Courtney
Collection
The Sacred Earth
Form
photograph
Date
1988
Accession Number
224
Title Variation
Chile
Artist
Milne, Courtney
Collection
The Sacred Earth
Date
1988
Form
photograph
Series
4/10
Dimensions
50.5 X 76 cm
Size Overall
same as image
Medium
color photograph
Condition
good
Primary Support
paper
Secondary Support
none
Accession Number
224
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Artist
Barry, D. F.
Collection
"Chiefs of the Sioux Wars and the Battle of Little Bighorn, published by Paul Harbaugh; Denver, Colorado, 1982."
Date
c.. 1885
Form
photograph
Series
portfolio 67/150
Description
Sitting Bull 'Tatanka Iyotanka' (1834-1890). The spiritual leader and head of the Hunkpapa warrior societies, Sitting Bull poses in Barry's studio wearing a crucifix of brass and wood. It was presented to him in June of 1868 by 'Black Robe', Father Pierre Jean De Smet, who had been sent by General Sherman to bring Sitting Bull and his hostiles to council. Without Sitting Bull the 'Laramic Treaty' council took place at Fort Rice, D.T., July 2, 1868. (Harbaugh, P., 1982)
Dimensions
16 X 11 cm
Size Overall
51 X 41 cm
Medium
Black and white photograph
Condition
Cockling of mat in TM.
Primary Support
paper
Secondary Support
mat, plexiglass, backing board; frame - metal
Accession Number
0426
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Artist
Barry, D. F.
Collection
"Chiefs of the Sioux Wars and the Battle of Little Bighorn, published by Paul Harbaugh; Denver, Colorado, 1982."
Date
c.. 1885-89
Form
photograph
Series
portfolio 67/150
Description
Sitting Bull 'Tatanka Iyotanka' (1834-1890). Most probably the last photograph of the legendary chief and vision seeker, Sitting Bull had guided his people for nearly 40 years during the times when Manifest Destiny sought her fortune within the lands of the Sioux . (Harbaugh, P., 1982)
Dimensions
15 X 11 cm
Size Overall
51 X 41 cm
Medium
Black and white photograph
Condition
good
Primary Support
paper
Secondary Support
mat, plexiglass, backing board; frame - metal
Accession Number
0436
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Artist
Barry, D. F.
Collection
"Chiefs of the Sioux Wars and the Battle of Little Bighorn, published by Paul Harbaugh; Denver, Colorado, 1982."
Date
c.. 1883-85
Form
photograph
Series
portfolio 67/150
Description
Sitting Bull 'Tatanka Iyotanka' (1834-1890). Having been civilized by two years of subjugation and stripped of his tribal authority by the white man, Sitting Bull remained the sentinel to which the traditional Sioux clang, resulting in his death as the Ghost Dance passed. (Harbaugh, P., 1982)
Dimensions
24 X 18.5 cm
Size Overall
51 X 41 cm
Medium
Black and white photograph
Condition
Left vertical edge bowed back away from mat.
Primary Support
paper
Secondary Support
mat, plexiglass, backing board; frame - metal
Accession Number
0441
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Sitting Bull and William F. Cody (Buffalo Bill)

http://archives.brandonu.ca/en/permalink/artworks905
Artist
Notman, William and Son
Collection
"Chiefs of the Sioux Wars and the Battle of Little Bighorn, published by Paul Harbaugh; Denver, Colorado, 1982."
Date
1885
Form
photograph
Series
portfolio 67/150
Description
Sitting Bull made only one tour with the Wild West Show, declining other invitations feeling his presence was needed by his followers at the Standing Rock Agency. This photograph was known to have been taken by David Notman, son of the premier Canadian photographer William Notman, during the summer of 1885. Barry likely obtained this copy of the negative from Notman himself. (Harbaugh, P., 1982)
Dimensions
15 X 10.5 cm
Size Overall
51 X 41 cm
Medium
Black and white photograph
Condition
Severe bowing back of both vertical edges away from mat.
Primary Support
paper
Secondary Support
mat, plexiglass, backing board; frame - metal
Accession Number
0453
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Sitting Bull's Family

http://archives.brandonu.ca/en/permalink/artworks33
Artist
Barry, D. F.
Collection
"Chiefs of the Sioux Wars and the Battle of Little Bighorn, published by Paul Harbaugh; Denver, Colorado, 1982."
Date
1891
Form
photograph
Series
portfolio 67/150
Description
Following the travesty at Wounded Knee and the killing of Sitting Bull, Bull's followers and family found themselves outcasts within their own tribe as others feared the possible repercussions for collaborating with those who had refused to submit to the white man. This photograph shows one of the few ways Bull's family could now find to support themselves, a form of degrading prostitution performed before the camera. Bull's two surviving widows have cut their hair short as an expression of sorrow and grief in his death. (Harbaugh, P., 1982)
Dimensions
23 X 18.5 cm
Size Overall
51 X 41 cm
Medium
Black and white photograph
Condition
"Severe bowing back of both vertical edges away from mat. The tension holders on the back, which keep the back board snug, are coming loose."
Primary Support
paper
Secondary Support
mat, plexiglass, backing board; frame - metal
Accession Number
455
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Artist
Barkman, Doug
Form
painting
Date
2006
Accession Number
Pnt/DB/122
Artist
Barkman, Doug
Date
2006
Form
painting
Dimensions
84.5 X 83 cm
Size Overall
same as image
Medium
acrylic
Condition
good
Primary Support
canvas
Secondary Support
none
Accession Number
Pnt/DB/122
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Artist
Chippewayan, Julian
Form
painting
Date
no date
Accession Number
Pnt/JC/088
Artist
Chippewayan, Julian
Date
no date
Form
painting
Dimensions
59.5 X 44 cm
Size Overall
61 X 45.5 cm
Medium
acrylic
Condition
BL corner is creased.
Primary Support
paper
Secondary Support
none
Accession Number
Pnt/JC/088
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Artist
Eastman, L.
Form
painting
Date
1986
Accession Number
0118
Artist
Eastman, L.
Date
1986
Form
painting
Dimensions
45 X 60 cm
Size Overall
56.5 X 72 cm
Medium
acrylic
Condition
Mild cockling and creasing of image. Paper has fallen down from the mat on the left side, and as a result is showing the backing board in the TR corner.
Primary Support
paper
Secondary Support
mat, plexiglass, backing board; frame - metal
Accession Number
0118
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Artist
Edwards, Kim
Form
painting
Date
1985
Accession Number
0018
Artist
Edwards, Kim
Date
1985
Form
painting
Dimensions
55 X 75 cm
Size Overall
62 X 82 cm
Medium
acrylic or gouache
Condition
Mild accretion over image. Slight cockling of surface.
Primary Support
paper
Secondary Support
glass, backing board; frame - wood
Accession Number
0018
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Artist
Ewens, Jessica
Form
painting
Date
1967
Accession Number
Pnt/075
Artist
Ewens, Jessica
Date
1967
Form
painting
Dimensions
50 X 40 cm
Size Overall
59 X 48.5 cm
Medium
oil
Condition
White paint stain on glass in the center area. Frame has a couple of small abrasion marks in BL corner.
Primary Support
canvas board
Secondary Support
glass; frame - wood
Accession Number
Pnt/075
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Artist
Ewens, Jessie
Form
painting
Date
1966
Accession Number
0195
Artist
Ewens, Jessie
Date
1966
Form
painting
Dimensions
35.5 X 27.5 cm
Size Overall
52.5 X 42.5 cm
Medium
oil
Condition
good
Primary Support
canvas board
Secondary Support
mat, plexiglass, backing board; frame - wood
Accession Number
0195
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Artist
Hamilton, R.
Form
painting
Date
no date
Accession Number
Pnt/RH/091
Artist
Hamilton, R.
Date
no date
Form
painting
Dimensions
59 X 44.5 cm
Size Overall
same as image
Medium
acrylic
Condition
Several smudges around image in areas such as TM, TR, LM, RM and BL.
Primary Support
paper
Secondary Support
none
Accession Number
Pnt/RH/091
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Artist
Hekster, Walter
Form
painting
Date
no date
Accession Number
Pnt/WH/049
Artist
Hekster, Walter
Date
no date
Form
painting
Dimensions
178 X 127.5 cm
Size Overall
180.5 X 132 cm
Medium
acrylic
Condition
Surface is all together dirty. Numerous smudges and other surface accretions and is especially bad in the top horizontal register, which has multiple large smudges. Canvas is loose in the TL corner due to storage (another painting was leaning on it). T
Primary Support
canvas
Secondary Support
frame - wood
Accession Number
Pnt/WH/049
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Artist
Hekster, Walter
Form
painting
Date
no date
Accession Number
Pnt/WH/697
Artist
Hekster, Walter
Date
no date
Form
painting
Dimensions
52@@ x 72@@
Medium
oil
Condition
Frame and painting is severely twisted. Surface is altogether dirty and dusty. Oily stains in BL corner as well as heavy water stains in BR corner.
Primary Support
canvas
Secondary Support
frame - wood
Accession Number
Pnt/WH/697
Show Less
Artist
Hekster, Walter
Form
painting
Date
no date
Accession Number
L-3
Artist
Hekster, Walter
Date
no date
Form
painting
Dimensions
50@@ x 80@@
Medium
oil
Condition
unknown
Primary Support
canvas
Secondary Support
unknown
Accession Number
L-3
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Artist
James, Cecil E.
Form
painting
Date
1970
Accession Number
Pnt/CEJ/011
Artist
James, Cecil E.
Date
1970
Form
painting
Dimensions
34.5 X 47.5 cm
Size Overall
56.5 X 68 cm
Medium
watercolor
Condition
Residue of tape in area CB of glass. Frame has small abrasion marks on top arm.
Primary Support
paper
Secondary Support
mat, plexiglass, backing board; frame- wood
Inscriptions
Note attached to back: Cecil E. James came to Canada in 1914 from Manchester, England. He started studies in art at the University of Saskatchewan in 1928, and is now operating an art gallery in Saskatoon. He has painted Canadian scenes from Newfoundland to Vancouver Island, but most of his work is of the Canadian Prairies. One could safely say that his paintings are in private collections in almost every country of the world. To name a few principals possessing a James painting: The Archbishop of Canterbury; His Excellency, Governor-General Roland Michener; John Diefenbaker, former Prime Minister of Canada; The Canadian Embassy in Berlin; Mr. H.W. Sturdy, British Government representative; Saskatchewan Wheat Pool; Saskatchewan House, London; Dairy Pool; Colonel Sanders of Kentucky; Pioneer Grain Co.; The Hon. Jean Lesage; Saskatchewan Power Corporation; Saskatchewan Arts Board.
Accession Number
Pnt/CEJ/011
Show Less

20 records – page 1 of 1.