Sitting Bull 'Tatanka Iyotanka' (1834-1890). The spiritual leader and head of the Hunkpapa warrior societies, Sitting Bull poses in Barry's studio wearing a crucifix of brass and wood. It was presented to him in June of 1868 by 'Black Robe', Father Pierre Jean De Smet, who had been sent by General Sherman to bring Sitting Bull and his hostiles to council. Without Sitting Bull the 'Laramic Treaty' council took place at Fort Rice, D.T., July 2, 1868. (Harbaugh, P., 1982)
Sitting Bull 'Tatanka Iyotanka' (1834-1890). Most probably the last photograph of the legendary chief and vision seeker, Sitting Bull had guided his people for nearly 40 years during the times when Manifest Destiny sought her fortune within the lands of the Sioux . (Harbaugh, P., 1982)
Sitting Bull 'Tatanka Iyotanka' (1834-1890). Having been civilized by two years of subjugation and stripped of his tribal authority by the white man, Sitting Bull remained the sentinel to which the traditional Sioux clang, resulting in his death as the Ghost Dance passed. (Harbaugh, P., 1982)
Following the travesty at Wounded Knee and the killing of Sitting Bull, Bull's followers and family found themselves outcasts within their own tribe as others feared the possible repercussions for collaborating with those who had refused to submit to the white man. This photograph shows one of the few ways Bull's family could now find to support themselves, a form of degrading prostitution performed before the camera. Bull's two surviving widows have cut their hair short as an expression of sorrow and grief in his death. (Harbaugh, P., 1982)
Dimensions
23 X 18.5 cm
Size Overall
51 X 41 cm
Medium
Black and white photograph
Condition
"Severe bowing back of both vertical edges away from mat. The tension holders on the back, which keep the back board snug, are coming loose."
Paint loss in areas 49cm T X 66cm R; 47cm TM X 87.5cm R (both c.. 0.5cm in diameter). Many long, thin scratches resulting in paint abrasion, especially in lower part of the painting. Paint loss in area 48cm B X 101cm L (c.. 0.5 X 1cm)-possibly inherent to the image. Painting could use some surface protection to prevent further damages
Inscription: William Davies, Industrialist. b.1831 in England, d. 1921 in Toronto. Generous benefactor of Brandon College.
Dimensions
70 X 54 cm
Size Overall
114 X 98 cm
Medium
oil
Condition
Scratch on surface in area c.. 5cm from BL corner. Minor scratches on R side of image. Frame has cracks in many areas, as well as a loss of plaster in lower R area, c.. 3.5cm. Mild loss of paint on the right inside frame arm, next to the painting sur
Primary Support
canvas
Secondary Support
no backing support for canvas; frame - wood and plaster with gild
Inscription: b. 1929 in England, d. 1906 in Toronto. Laid cornerstone of Brandon College, 1900.
Dimensions
70 X 54 cm
Size Overall
114 X 98 cm
Medium
oil
Condition
Some accretions on surface, especially in BL areas, c.. 0.5 X 1.5 cm. Foreign paint speck in BR corner of painting. Frame has cracks in plaster in many areas.
Primary Support
canvas
Secondary Support
no backing board for canvas; frame - wood and plaster with gild
