Inscription: Clark Hall studio space. In 1907, under the leadership of Henrietta Hancock, more than 30 women met as The Brandon Art Club in this room in the Clark Hall tower. Known as the 'Art Studio,' this space was once the center of all Fine Art programs at Brandon College. This print is of an original Henrietta Hancock painting presented to Daniel and Mabel Lamont on the occasion of their wedding in 1909. The print was donated to Brandon University by Helen and Gwen Lamont in 1997. Brandon University; Alumni Association.
This piece was sketched from a CPR train window, January 1964, while the artist was enroute from Brandon to Winnipeg through the Carberry sandhills. It was a hazy morning when land and sky seemed to blend with sun showing through cloud in places. Steve Repa was employed by the Brandon Allied Arts Centre (1962-1964). He commuted to Winnipeg one day weekly to teach (1963-1964) (Bu Art Catalogue, 1983)
Dimensions
57 x 87 cm
Size Overall
72 x 102 cm
Medium
oil
Condition
some accretion in middle R area. Canvas fairly loose on the stretcher (June 1996)
There is an indent in the canvas in TL corner. Frame: mitre joints splitting in all corners. Chip in frame c. 17 cm from BL corner; abrasion of gild in some areas (1996)
Fred McGuinness is popularly known for his work as the prairie essayist for CBC Radio’s Morningside with Peter Gzowski, a position he held for 17 years. Many of McGuinness’ Morningside essays were autobiographical in nature. He often reported about life on Christmas Tree Farm, a section of land where he and his wife, Christine, built their dream home in the late 1970s. The couple planted a Christmas tree farm on the property and Christine maintained an extensive kitchen garden, while Fred tended honey bees. Life on the farm made its way into radiobroadcasts, Neighborly News columns, and the book "Letters from Section 17: A Collection of Morningside Essays" (Winnipeg: Great Plains Publishing, 1999).
Scope and Content
Photograph shows a landscape view from the McGuinness property, Christmas Tree Farm, Section 17.
Item is a mini-chapbook entitled "A Landscape to a Blind Man's Eye" by David Copeland. It is series 3, number 10 in the Dollarpoems series. The series was published by Pierian Press with the aid of a grant from The Manitoba Arts Council.
Photograph of a landscape of the Brandon College campus - showing the Brandon College Building, Clark Hall and part of the Citizens' Science Building - presented to the College by the Class of 1960.
"Beardy's brilliant application of color is drawn from his dreams. The geography of his paintings is a blend of the visible universe and the invisible powers that animate the visible, and give it life and meaning. The time in which the works are set is mythological time, before history. The paintings are not separate from the major themes of Jackson's life and in fact parallel his own growth and spiritual development. They dealt not only with the mysteries of matter but also with those of creation and life; they sought to harmonize the human individual with the universe, Jackson's alchemy is performed between two socio-political worlds. He struggled to be effective and to balance his own life between two powerful unseen Manitou forces." (Colleen Cutschall, p. 22)