Two works of art from the University Collection, south end Library Reading Room, McKenzie Building. Naming of the Robbins Library and opening of the Lightbody Reading area. L to R (numbered as on back of picture) 1) Dorothy Luchansky, 2) Lillian Phillips, 3) Prof. Marion Crowhurst ?, 4) Elsie Paterson (Stewart), 5) Stella Tolmie, 6) Shirley Gillespie, 7) Alice Gregory (Orr) (back), 8) Dr. Robert Brockway, 9) Dr. D.N.Wheeler (back), 10) Dr. R.F.B. King (part), 11) Marg. McKinnon Nos. 1-10 University Staff; 11-Mental Health Centre
Pierian Spring was intended to be a literary quarterly publishing poetry, short stories, creative prose and art work. Submissions were accepted from anyone anywhere on any theme and in any style. The name Pierian Spring was originally suggested by Mr. John Moyle, a former English teacher at Harrison High School, Brandon. The Pierian spring in Thrace was the home of the Muses, daughters of Zeus and Titaness Mnemosyne (Memory). The quarterly was published by Brandon University Press.
Scope and Content
Pierian Spring (Winter 1976) Volume One, Number One contains poetry, short stories, creative prose and art work by various contributors.
A tape log was created by Richard Bee for each of the interviews he conducted as part of the Music and the Brandon community project.
Custodial History
Item was in Richard Bee's possession until he donated it to the McKee Archives in 2015.
Scope and Content
Item is the tape log Richard Bee created for his interview with Bill Turner. The log provides a time breakdown for the interview, along with more details about the subjects discussed.
Repro Restriction
The SJ McKee Archives is the copyright holder for the Music and the Brandon community collection and as such is providing access to this item for educational and research purposes only. To publish, copy or otherwise use this item, written permission must be obtained from the SJ McKee Archives. Any issues arising from the use of an item is the responsibility of the persons desiring to use the item, as is the securing of any necessary permissions for use.
Emmaline "Emma" Garland Pratt was born on November 15, 1884 in Portage la Prairie, MB. She spent her early life in the village, approximately two miles down the river from Portage la Prairie. She received her education and studied music, voice and organ at the Portage Presbyterian Boarding School; while school age, she lived with white missionaries Mr and Mrs. Brown. She was adopted by the Garland family in Portage la Prairie.
Emma came to the then Oak River Reserve in 1904, to be with her mother following a family crisis. The same year, she married Matthew Tunkancekigana, who was later given the surname Pratt. The couple resided in Sioux Valley, where Matthew farmed and did farm work. Matthew died in 1951. Emma dedicated her life to her family and in service to her community, especially through her church St. Luke's Anglican Church at Sioux Valley, where she was church organist for 75 years. In 1961, she received life membership in the Women's Auxiliary of the Docese of Brandon and in 1977, she received a Good Citizenship Award from the Lieutenant-Governor. The Pratts had eleven children, including Allan, Donald, Archie, Ina, Hilda, and Dorothy. Allan was a chief on the Sioux Valley Reserve, Donald was a Reverend with the Anglican Church. Three other children died of tuberculosis. Emma Pratt died in January 1989.
Custodial History
As part of the Westman Oral History Collection, this collection was accessioned by the McKee Archives in 1998. The original tapes from the Westman Oral History project were deposited in the Brandon Public Library. Copies of these originals were made by Margaret Pollex of the Brandon University Language Lab at the request of Eileen McFadden, University Archivist in the early 1990s. These copies compose the collection held in the McKee Archives.
Scope and Content
Item is an audiocassette tape containing an interview with Emma Pratt about her childhood and early married years as a Sioux woman. Interviewer is Phyllis Cairns.
Notes
History/bio information taken from the records, and articles in The Brandon Sun reporting on Pratt's 100th birthday celebration (November 22, 1984) and her death (January 16, 1989). Transcript by Brianna Workman (2014). Description by Christy Henry.
Language Note
English
Conservation
Preservation copy created 2021 (R. Hess)
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Betty Margaret Gibson was born on July 14, 1911 in Brandon, MB. She attended primary school in Alexandra and Park schools, and took her teachers education at the Brandon Normal School. She began her teaching career in 1929. Teaching first in Deloraine and Chater, in 1936, Gibson travelled to South Africa to be the headmistress at Kingsmead College, Johannesburg. She returned to Brandon ten years later to take up the post of Principal at Fleming School. During this time she completed a BA from Brandon College (1959). Attaining her Master's degree in Early Childhood Education, she taught at the University of Saskatoon and Brandon College/University. At Brandon University she was heavily involved with Indigenous teacher programs, including BUNTEP, PENT and IMPACT. She was briefly the Assistant Superintendent for the Brandon School Division (1967-1968). Gibson was active in the Children's Aid Society, co-created and appeared in a television show called "Common Sense About Reading" (CBC), and was the author of a children's book called "The Story of Little Quack." Gibson received the Centennial Medal in 1967, and the J.M. Brown Award (1974), for contribution to education in Manitoba. She was awarded an Honorary Doctorate of Liberal Laws from BU in 1975, and even in retirement continued to teach education courses at BU and help children with reading disabilities. In 2003, she was inducted into Brandon University's Hall of Fame. Betty Gibson School in the Brandon School Division is named in her honor. Gibson never married. Betty Gibson died on February 23, 2001 in Brandon, MB. She is buried at Rosewood Memorial Gardens.
Custodial History
As part of the Westman Oral History Collection, this collection was accessioned by the McKee Archives in 1998. The original tapes from the Westman Oral History project were deposited in the Brandon Public Library. Copies of these originals were made by Margaret Pollex of the Brandon University Language Lab at the request of Eileen McFadden, University Archivist in the early 1990s. These copies compose the collection held in the McKee Archives.
Scope and Content
Item is an audiocassette tape containing an interview with Betty Gibson about her teaching career. Interviewer is JE Bateman.
Notes
History/Bio information taken from the Manitoba Historical Society, The Brandon Sun and the records. Transcript by Nathan Qumsieh (2014). Description by Christy Henry.
Language Note
English
Conservation
Preservation copy created 2021 (R. Hess)
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Dorothy Irene Broomhall was born on March 28, 1920 in Brandon, MB. She attended Business College and then worked for the Federal Government from 1942-1976, mostly with the Vetran's Land Act. Dorothy never married. Involved with the Girl Guide organization for over 80 years, she also volunteered at Fairview Personal Care Home for more than 30 years, and was very active in her church (St. Mary's Anglican Church and then St. Matthew's Cathedral). In addition to travelling, her hobbies included knitting for family, friends and Christmas Cheer. Dorothy Broomhall died on November 14, 2020 in Brandon, MB. She is buried at Brandon Municipal Cemetery.
Custodial History
As part of the Westman Oral History Collection, this collection was accessioned by the McKee Archives in 1998. The original tapes from the Westman Oral History project were deposited in the Brandon Public Library. Copies of these originals were made by Margaret Pollex of the Brandon University Language Lab at the request of Eileen McFadden, University Archivist in the early 1990s. These copies compose the collection held in the McKee Archives.
Scope and Content
Item is an audiocassette tape containing an interview with Dorothy Broomhall primarily about the history of St. Mary's Anglican Church in Brandon, MB, although some autobiographical topics are covered at the beginning of the interview. Interviewer is Isabelle Heeney.
Notes
History/Bio information taken from Broomhall's obituary. Transcript by John Ball (2014). Description by Christy Henry.
Language Note
English
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1965-1980, predominant 25 May 1965 - 30 September 1976
Physical Description
12 cm textual records
6 b/w photographs (loose)
1 artefact
Physical Condition
Some of the items in the scrapbook have come loose from their pages, some documents are stained from a liquid, likely coffee
History / Biographical
In 1965, Chris Verhoef, member of the Overture Concert Association, Allied Arts Centre, and Brandon Citizens' Commitee for the Performing Arts, called for a meeting of Western manitoba citizens interested in the prospect of a Philharmonic Choir for the region. The meeting took place on 26 May 1965; the steering committee that gathered, led by Margaret Goodman, undertook the formation of the Choir. The Choir would have an Executive consistign of at least four members, and a committee consisting of a minimum seven members. Each executive member would be elected on an annual basis. The Choir's executive, in collaboration with the conductor, would determine the choir's repertoire for the year. The establishment of the Western Manitoba PHilharmonic Choir (WMPC) sought to encourage amateurs to sing for enjoyment, provide the opportunity for a choir to perform choral compositions in collaboration with a symphony orchestra and promote and sponsor the musical arts in the Western Manitoba region. Membership to the choir would be open to all citizens of the region, and members would be accepted based on the discretion of the conductor. The first meeting of prospective members took place on 27 September 1965 in St. Matthews Cathedral parish Hall where more than 90 people gathered and registered to become a member of the WMPC.
Chris Verhoef led the Western Manitoba Philharmonic Choir into its first season as President of the choir's Executive Committee. For the organization's first season, the WMPC hired two members of the Brandon College School of Music: Lucien Needham for the position of conductor and Louise Chapman for the position of accompanist. Brandon College, as well as other donors sponsored the choir for its first season. The Choir held its debut performance in collaboration with the Winnipeg Sympnay Orchestra (WSO) on 12 March 1966, and the Choir's performance of Vivaldi's Gloria and Handel's Dettingen te Deum attracted an audience of more than 1400 people. The performance was well received by the public. The debut performance's asuccess earned the CHoir a rcommendation for a grant from the Manitoba Centennial Corporation that would sponsor a special concert during the centennial year. Furthermore, the Canada Council supported the Winnipeg Symphony Orchestra, by the means of special funds, to make the Symphony's appearance witht he Philharmonic Choir possible.
For the WMPC's second season, membership rose to 111 amateur singers. Verhoef remained as President of the Executive, while the Brandon Citizens' Committee for the Performing Arts provided sponsorship. Following the Choir's performance of Schubert's Mass in Eb Major on 17 November 1966, the membership increased to 132 singers. On 20 January 1967, the WMPC's first taped broadcast was released over CBC and CKX. The broadcast's success resulted in an offer from CBC to record another broadcast for a similar release. The Kiwanis Club of Rivers invited the Choir to perform in Rivers on 25 january 1967. On 7 April 1967, the Choir performed Haydn's oratorio, The Creation, in the Brandon College Gymnasium.
The choir elected Murray Ames as President to lead it through its thrid and fourth seasons. In its third season, the WMPC, conducted by Leonard Mayoh, performed Handel's Messiah on 22 November 1967 in the Brandon University Gymnasium. The Choir's spring concert, name the "Chris Verhoef Memorial Concert," in honour of Chris Verhoef who had passed away December 1967, featured works by Bach, Brahms and Perry. Held on 9 March 1968, in the Brandon University Gymansium, the concert featured Brandon university student James Stewart as soloist and was received with great praise. In addition to the memorial concert, the WMPC also established a $500 scholarship for a Brandon University music student to honour Verhoef's substantial contribution to the community.
The first concert of the Western Manitoba Philharmonic Choir's fourth season was held on 10 December 1968, in the J.R.C. Evans Lecture Theatre at Brandon University and featured selections from Handel's Messiah. A piano trio comprised of Francis Chaplin (violin), Malcom Tait (cello) and Gordon Macpherson (piano), as well as a brass trio, also performed at the chori's winter concert. In its fourth season, the WMPC performed two concerts in the second half of its season. On 15 FEbrurary 1969, in cooperation with CKX Radio and Television, the choir performed works by Mozart, Hindemith, and Mahler in collaboration with the Winnipeg Sympony Orchestra conducted by George Cleve. Later in the season, the choir performed Brahms' Requiem Mass, once again in collaboration with the Winnipeg Symphony Orchestra.
Dr. R. Parker filled the position of President of the Executive for the duration of the Choir's fifth, sixth and seventh seasons. The fifth season saw the WMPC performing four concerts. Conducted by Leonard Mayoh, it opened its season on 11 october 1969 with a performance at the Grand Finale of the Grand Opening of the Western manitoba Centennial Auditorium, performing theoverture to Mozart's The Magic Flute and Beethoven's Symphony No. 9. Their Christmas concert, also conduceted by Mayoh, took place on 10 December 1969. The Choir's third concert of its fifth season was held on 31 january 1970, in cooperation with CKX RAdio and Television, and featured works by Mendelssohn, Ravel, and Schubert, in collaboration with the WSO under the direction of conductor George Cleve. The season concluded with another concert in collaboration with the WSO on 7 March 1970, conducted by Leonard Mayoh. This concert featured works by Vaughn Williams, Handel and Poulenc.
Seasons six and seven consisted of two concerts each. The Choir held its fifth annual Christmas Concert on 5 December 1970. Led by Leonard Mayoh, it performed its spring concert on 10 April 1971 in collaboration with members from the Winnipeg Symphony, featuring selections by Bach and Mozart in the Western manitoba Centennial Auditorium. Into its seventh season, the Choir performed Bach's Christmas Oratorio on 4 December 1971 in the Central United Church. For its final concert of the year, the WMPC revisited a piece that had been the main focus of its second season: Haydn's oratorio, The Creation. The Choir performed this Haydn masterwork on 8 April 1972 under the direction of Piero Gamba.
Helen Riesberry led the choir through its eigth and ninth seasons as President of the Executive. In its eigth season, the WMPC held its annual Christmas concert on 12 December 1972 in collaboration with the Winnipeg Symphony Orchestra in the style of a sing-along led by Mitch Miller. The choir's spring concert featured another masterwork, Beethoven's Missa Solemnis, conducted by Piero Gamba. The WMPC and members of the WSO performed the Requiem Mass on 28 April 1973 at the Western Manitoba Centennial Auditorium. Despite the lack of attendance at rehearsals since the Christmas concert, the WMPC presented an overall effective performance of the challenging Requiem Mass.
In its ninth season, Derek Morphy took over the position of conductor from Leonard Mayoh. Morphy had his debut performance as conductor with the WMPC at the annual Christmas concert on 17 December 1973. In March 1974, in collaboration with members from the WSO, Morphy led the Choir in its performance of Mendelssohn's oratorio, Elijah, in the Western Manitoba Centennial Auditorium. later in the season, the choir performed a concert entitled "Reflections," a choral programme for Lent and Easter, accompanied by organist Arthur Bower.
Nearing the end of its ninth season, the Philharmonic Choir encountered severe financial challenges. The Choir released a notice in the newspaper that the anticipated $3000 grant from the Manitoba Arts Council had been cut to $1000, leaving the Choir $3100 in debt. The notice explained that the Choir needed funds in order to enable operation and continue hiring the WSO for concerts. The WMPC executive and committee held a Leonard Mayoh Night in an attempt to gain funds and donations. Although the Manitoba Arts Council raised thegrant to $2000 and the City of Brandon contributed $500, the Choir's financial situation remained in a dire state as its ninth season came to a close.
The Choir elected Edith Hayden to lead it through its tenth and eleventh seasons as President of the Executive. The opening of the tenth season challenged the WMPC. In addition to its financial woes, the Choir's Executive struggled to overcome the lack of attendance at rehearsals and the shortage of male voices. The WMPC had experienced membership issues in earlier seasons as well. In its third season, despite a membership of 130 individuals, the choir had struggled to create a balanced sound due to a lack of male membership and therefore a lack of lower voices. In its sixth season, the Choir opened their concert year with an appeal for members. In an effort to improve the choir's financial affairs, the Choir Executive and conductor decided against hiring the Winnipeg Symphony Orchestra for the time being. In an attempt to improve the situation, Derek Morphy wrote a letter to the members of the Choir outlining his concern that he may not be meeting their expectations as a conductor but hoped to generate positive and hopeful prospects for the future of music-making together.
The Choir's annual Christmas concert featured a collaboration with the Brandon School Division Music Department and Brandon School Orchestra and Band Association, as well as dancers choreographed by Barbra Enhes. The WMPC performed Haydn's Mass in D minor at its spring concert on 27 April 1975, accompanied by Arthur Bower. By the end of the season, the Western Manitoba Philharmonic Choir's financial situation had begun to improve.
The WMPC hired conductor peter Allen to lead the Chori through its final season of operation. The Choir held its annual Christmas concert in the Central United Church on 7 December 1975, and featured Vivaldi's Glora, accompanied by pianist Barry Anderson. The choir perfomed Deller's Psalm 148, Teleman's Cantata for the Fourth Sunday after the Feast of the Three Kings, and Dvorak's Stabat Mater at its spring concert held at the Central United Church on 25 April 1976.
Despite its best efforts, the Western Manitoba Philharmonic Choir's first rehearsal of its twelfth season saw just 26 members in attendance. As a result of lack of membership, the Choir Executive decided to disband the WMPC for its 1976/1977 season, with plans to reassess the situation in September of 1977 for the prospect of a 1977/1978 season. Matters were further complicated by financial considerations; by June 1977 the choir's financial situation had worsened as a result of the administrative fees that the WMPC covered for the duration of its unexpected inactive 1976/1977 season. Unlike past years, there were not any ticket sales to cover such expenses.
Following its year off, membership interest in the Western Manitoba Philharmonic Choir did not increase and the decision was made not to return for another season. In 1980, the WMPC revoked its registration as an organization and officially ceased to exist.
Custodial History
Records in the 8-2001 accession were donated to the McKee Archives in 2001, by three representatives of the Philharmonic Choir: Dr. Bill Paton, Botany Department, Brandon University; Mrs. Edith Hayden, WMPC President; and Mary Davidson WMPC Archives Committee. Records in accession 13-2016 were given to Terry Stamper in the School of Music by Marilyn Hayden and then transferred to the McKee Archives on September 21, 2015.
Scope and Content
Fonds consists of records that document the origin, activities, and ultimate disbandment of the Western Manitoba Philharmonic Choir. These records were created and accumulated during the eleven year existence of the WMPC.
Records include: the organization's constitution and history from 1965-1968; financial records, which include grants received from the Manitoba Arts Council, Canada Council, and City of Brandon, as well as materials documenting the organization's financeial struggles from 1974-1976; minutes from executive and committee meetings from 18 June 1973 to 24 June 1974; correspondence in the form of letters between the president of the executive and the choir members, and between the conductor of the choir and its members; membership lists from each season of the WMPC; and concert programmes from every major Christmas and Spring concert that the organization performed. Fonds also contains mewspaper notices, advertisements and reviews of various performances, as well as posters advertising perfomrances of the WMPC in the 1967/68, 1970/71, 1971/72 and 1973/74 seasons; the posters advertise the choir, collaborators, patrons and featured works.
Also included in the fonds is a scrapbook detailing the choir's history. Each page of the scrapbook is decorated with hand painted images of plants native to the southwestern Manitoba region. The scrapbook includes concert programs and photographs of the choir from all years of the organization's operation. The scrapbook also contains an assorment of informal photographs from various WMPC events. There are also six black and white group photos of the WMPC from various seasons.
Finally, the fonds contains one artifact, a leather bag/zippered file folder with "WMPC" printed on it.
Notes
History/Bio information was provided by representatives of the Western Manitoba Philharmonic Choir. Copies of the history can be found in the fonds. Description by Jessi Gilchrist (October 2016).
Gerald Norman McLeod was born on August 15, 1910 in Renfrew County, Ontario. As a boy his parents moved to Bounty, SK to try farming. In 1927, they moved to Pine Falls, MB where Gerald lived for a number of years and worked in many capacities for the Manitoba Paper Company. In 1943, he enlisted in the army and served overseas with the Royal Canadian Signal Corps until returning to Canada to marry Joan Louise (Woods) Woolverton (1912-2013) in 1946. Upon his return he got a job working with the National Film Board. In 1950, the couple moved to Glenboro, MB where they lived and raised their children: Gail Woolverton, David Woolverton, Sheldon McLeod and Ann McLeod. Gerald retired from the National Film Board in 1973. In retirement he continued activities in photography and gardening. He also canvassed for the Heart and Stroke Foundation. Gerald McLeod died on October 8, 1995 in Glenboro, MB. He is buried at Pine Falls Community Cemetery.
Custodial History
As part of the Westman Oral History Collection, this collection was accessioned by the McKee Archives in 1998. The original tapes from the Westman Oral History project were deposited in the Brandon Public Library. Copies of these originals were made by Margaret Pollex of the Brandon University Language Lab at the request of Eileen McFadden, University Archivist in the early 1990s. These copies compose the collection held in the McKee Archives.
Scope and Content
Item is an audiocassette tape containing an interview with Gerald McLeod, that he entitled "Root, Hog or Die." The interview covers various jobs Gerald held during his life, including various positions at a lumber mill, cutting firewood with his father, his time as an engineer’s assistant, fighting forest fires as a volunteer and his first years working with the National Film Board. The interview also covers to great extent his political views during the 1930’s and his association with the CCF. He also speaks a great deal about the financial destitution people faced during his time in Saskatchewan and later in Manitoba during the Depression. Interviewer is Irene Brown.
Notes
History/bio information taken from obituary in the Glenboro Gazette. Transcript by Richard Bee (2014). Description by Christy Henry.
Language Note
English
Audio Tracks
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Lewis Mathie was born November 8, 1889 in Carberry, MB. His family moved to Brandon in 1890. After completing schooling at Central and Park schools, he apprenticed as a printer with his uncle, Walpole Murdoch, publisher of the Hartney Star. After brief stints with a printing plant and The Brandon Times, Mathie joined the staff of The Brandon Sun as a printer. In 1916, Mathie enlisted in the 181st (Brandon) Battalion and served overseas as a signaler with the 52nd (Port Arthur) Regiment. He returned to Brandon after his discharge in 1919, and re-joined the staff of The Brandon Sun. Beginning in 1939, Mathie was foreman of the composing room. Although he retired in 1956, he continued to work part-time for the paper from 1956-1972. Mathie married Rosetta Mills (1903-1995) in 1926, and together they had two sons: Thomas and Frank. He was a founding member of Local 700 of the ITU. Lewis Mathie died on March 13, 1985 in Brandon, MB.
Custodial History
As part of the Westman Oral History Collection, this collection was accessioned by the McKee Archives in 1998. The original tapes from the Westman Oral History project were deposited in the Brandon Public Library. Copies of these originals were made by Margaret Pollex of the Brandon University Language Lab at the request of Eileen McFadden, University Archivist in the early 1990s. These copies compose the collection held in the McKee Archives.
Scope and Content
Item is an audiocassette tape containing an interview with Lewis Mathie about his experiences as a printer at The Brandon Sun, 1911-1956, although the first half of the interview covers Mathie's childhood years and apprenticeship in Hartney. Interviewer is Elwood Gorrie.
Notes
History/bio information from the records and Mathie's obituary. Transcript by Jessica Spark (2017). Description by Christy Henry.
Language Note
English
Conservation
Preservation copy made 2021 (R. Hess)
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