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238 records – page 1 of 12.

Rain-in-the-Face

http://archives.brandonu.ca/en/permalink/artworks27
Artist
Barry, D. F.
Collection
"Chiefs of the Sioux Wars and the Battle of Little Bighorn, published by Paul Harbaugh; Denver, Colorado, 1982."
Date
1874
Form
photograph
Series
portfolio 67/150
Description
Rain-in-the-Face 'Iromagaja'. The first photograph of Rain-in-the-Face, taken shortly before his arrest and incarceration at Fort Lincoln in 1874. He was one of the leaders during the Fetterman disaster of 1866, the worst defeat the U.S. Army had suffered on the frontier up to that time. His prowess as a warrior continued throughout the Sioux Wars. Wounded and lamed during the fight, he led his band against Custer, and later followed Sitting Bull into exile in Canada. Rain-in-the-Face and his followers surrendered to General Miles at Fort Keogh, Montana, in September of 1880. (Harbaugh, P., 1982)
Dimensions
14 X 10 cm
Size Overall
51 X 41 cm
Medium
Black and white photograph
Condition
good
Primary Support
paper
Secondary Support
mat, plexiglass, backing board; frame - metal
Accession Number
0435
Show Less
Artist
Barry, D. F.
Collection
"Chiefs of the Sioux Wars and the Battle of Little Bighorn, published by Paul Harbaugh; Denver, Colorado, 1982."
Date
1877
Form
photograph
Series
portfolio 67/150
Description
Chief Joseph 'Hanmaton Talatkit' (ca. 1832-1904). By the close of 1876 the Sioux had been pacified enough that Manifest Destiny could focus her attention and Gatling guns on the Nez Perce of Oregon and Washington where gold had been discovered. Although he had always advocated coexistence with the white man, Chief Joseph was forced from his native home into a three-month, 1300 mile flight through what are today four states and twice across the Rocky Mountains, defeating the U.S. Army in seven major battles. He came within forty miles of sanctuary, the Canadian border, where he envisioned joining Sitting Bull and his exiled people, when his sick and starving band was overtaken by General Miles and one-armed General O.O. Howard. Joseph surrendered October 5, 1877. General Miles agreed to return the Nez Perce to the west; instead, they were sent to Indian Territory. Joseph was so successful a military leader and so influential a tribal leader that he was never allowed to return to his homeland and people. It was said that upon Joseph's exiled death in September of 1904, the agency doctor identified the cause of death as 'broken heart'. (Harbaugh, P., 1982)
Dimensions
18 X 13 cm
Size Overall
51 X 41 cm
Medium
Black and white photograph
Condition
Edges bowed back from mat.
Primary Support
paper
Secondary Support
mat, plexiglass, backing board; frame - metal
Accession Number
0445
Show Less
Artist
Barry, D. F.
Collection
"Chiefs of the Sioux Wars and the Battle of Little Bighorn, published by Paul Harbaugh; Denver, Colorado, 1982."
Date
1881
Form
photograph
Series
portfolio 67/150
Description
The first photo of the famed Hunkpapa war chief, taken at Fort Buford, D.T. shortly after his surrender to major Guido Ilges, Fifth Infantry, following a short fight near the Poplar Camp Post, January 2, 1881. Four years earlier, in the valley of Little Bighorn, it was Gall, Sitting Bull's lieutenant and war chief, who rallied to meet Reno's initial charge and quickly turned it into a devastating retreat. Gall later crossed the Little Bighorn River and led the Sioux to triumph over Custer's contingent of the Seventh Cavalry. (Harbaugh, P., 1982)
Dimensions
19 X 14 cm
Size Overall
51 X 41 cm
Medium
Black and white photograph
Condition
good
Primary Support
paper
Secondary Support
mat, plexiglass, backing board; frame - metal
Accession Number
0424
Show Less
Artist
Barry, D. F.
Collection
"Chiefs of the Sioux Wars and the Battle of Little Bighorn, published by Paul Harbaugh; Denver, Colorado, 1982."
Date
1881
Form
photograph
Series
portfolio 67/150
Description
Low Dog 'Xunka Kuciyedon' (b.1846) This respected warrior became a war chief at age 14. In January of 1876, Low Dog and his band joined a party of Northern Cheyenne at the Red Cloud Agency and planned to hunt in the Powder River County. In March of that year, Low Dog's people set up camp with a large non-agency band of Northern Cheyenne and a few Oglala Sioux near the union of the Little Powder and Powder River. On Saint Patrick's day this sleeping village was attacked and destroyed by Colonel J.J. Reynolds. During the night of March 17th the Indians managed to recapture their horses. Without provisions the mixed band traveled northward to join Crazy Horse and later Sitting Bull on the Little Bighorn, where Low Dog led his people against Custer and the 7th Cavalry. Low Dog's account of the battle was published many times. (Harbaugh, P., 1982)
Dimensions
18 X 12.5 cm
Size Overall
51 X 41 cm
Medium
Black and white photograph
Condition
good
Primary Support
paper
Secondary Support
mat, plexiglass, backing board; frame - metal
Accession Number
0425
Show Less
Artist
Barry, D. F.
Collection
"Chiefs of the Sioux Wars and the Battle of Little Bighorn, published by Paul Harbaugh; Denver, Colorado, 1982."
Date
1881
Form
photograph
Series
portfolio 67/150
Description
Crow King 'Kangi Yatapi'. As a prisoner of war, Crow King posed for this picture in Barry's studio at Fort Buford, D.T., in the winter of 1881. During the battle of Little Bighorn, Crow King and his band of 80 warriors attacked Custer from the south, allowing Crazy Horse and Gall to encircle the doomed 7th Cavalry. (Harbaugh, P., 1982)
Dimensions
18.5 X 14 cm
Size Overall
51.5 X 41 cm
Medium
Black and white photograph
Condition
good
Primary Support
paper
Secondary Support
mat, plexiglass, backing board; frame - metal
Accession Number
0427
Show Less
Artist
Barry, D. F.
Collection
"Chiefs of the Sioux Wars and the Battle of Little Bighorn, published by Paul Harbaugh; Denver, Colorado, 1982."
Date
1881
Form
photograph
Series
portfolio 67/150
Description
Gall 'Pizi' (ca. 1838-1895). A wise, fearless, and successful war chief, Gall was Sitting Bull's adopted brother and one of the few Indians for which the army offered a bounty. While visiting Fort Berthold, D.T., Gall was discovered and bayoneted by soldiers. Assumed to be dead, his body was abandoned by those in his camp, and in the bitter cold of a Dakota winter night Gall staggered some 20 miles in search of aid. Stabbed through his neck, belly and abdomen, it was nearly a year before he recovered completely. Gall poses, painted as if for battle, in Barry's Ford Buffalo studio shortly before he was sent to the Standing Rock Agency. (Harbaugh, P., 1982)
Dimensions
17 X 12.5 cm
Size Overall
51 X 41 cm
Medium
Black and white photograph
Condition
good
Primary Support
paper
Secondary Support
mat, plexiglass, backing board; frame - metal
Accession Number
0446
Show Less

Sitting Bull and William F. Cody (Buffalo Bill)

http://archives.brandonu.ca/en/permalink/artworks905
Artist
Notman, William and Son
Collection
"Chiefs of the Sioux Wars and the Battle of Little Bighorn, published by Paul Harbaugh; Denver, Colorado, 1982."
Date
1885
Form
photograph
Series
portfolio 67/150
Description
Sitting Bull made only one tour with the Wild West Show, declining other invitations feeling his presence was needed by his followers at the Standing Rock Agency. This photograph was known to have been taken by David Notman, son of the premier Canadian photographer William Notman, during the summer of 1885. Barry likely obtained this copy of the negative from Notman himself. (Harbaugh, P., 1982)
Dimensions
15 X 10.5 cm
Size Overall
51 X 41 cm
Medium
Black and white photograph
Condition
Severe bowing back of both vertical edges away from mat.
Primary Support
paper
Secondary Support
mat, plexiglass, backing board; frame - metal
Accession Number
0453
Show Less

Indian Police, Standing Rock Agency

http://archives.brandonu.ca/en/permalink/artworks28
Artist
Barry, D. F.
Collection
"Chiefs of the Sioux Wars and the Battle of Little Bighorn, published by Paul Harbaugh; Denver, Colorado, 1982."
Date
1891
Form
photograph
Series
portfolio 67/150
Description
Only weeks after they had been ordered by Agent McLaughlin (center) to arrest Sitting Bull as an attempt to calm the growing unrest from the Messiah Craze (Ghost Dance), the Sioux police pose victoriously for Barry's camera. The arrest attempt was disastrous, resulting in the deaths of six Indian police, Sitting Bull, his son Crow Foot and eight of Crow's followers. The panic which followed culminated in the infamous Wounded Knee affair two weeks later. Red Tomahawk (front center) killed Sitting Bull. (Harbaugh, P., 1982)
Dimensions
18 X 23 cm
Size Overall
51 X 41 cm
Medium
Black and white photograph
Condition
Cockling of picture in BR corner
Primary Support
paper
Secondary Support
mat, plexiglass, backing board; frame - metal
Accession Number
0448
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Sitting Bull's Family

http://archives.brandonu.ca/en/permalink/artworks33
Artist
Barry, D. F.
Collection
"Chiefs of the Sioux Wars and the Battle of Little Bighorn, published by Paul Harbaugh; Denver, Colorado, 1982."
Date
1891
Form
photograph
Series
portfolio 67/150
Description
Following the travesty at Wounded Knee and the killing of Sitting Bull, Bull's followers and family found themselves outcasts within their own tribe as others feared the possible repercussions for collaborating with those who had refused to submit to the white man. This photograph shows one of the few ways Bull's family could now find to support themselves, a form of degrading prostitution performed before the camera. Bull's two surviving widows have cut their hair short as an expression of sorrow and grief in his death. (Harbaugh, P., 1982)
Dimensions
23 X 18.5 cm
Size Overall
51 X 41 cm
Medium
Black and white photograph
Condition
"Severe bowing back of both vertical edges away from mat. The tension holders on the back, which keep the back board snug, are coming loose."
Primary Support
paper
Secondary Support
mat, plexiglass, backing board; frame - metal
Accession Number
455
Show Less
Artist
Barry, D. F.
Collection
"Chiefs of the Sioux Wars and the Battle of Little Bighorn, published by Paul Harbaugh; Denver, Colorado, 1982."
Date
1897
Form
photograph
Series
portfolio 67/150
Description
Red Cloud 'Makpiya-luta'. As a non-hereditary chief, Red Cloud became the most successful war leader of the Cheyenne and Sioux during the 1860's and the Indians' campaign to close the Bozeman Trail and keep the Powder River inviolate. The Sioux were victorious and with the signing of the Fort Laramic treaty in 1868 the army abandoned her forts within the Dakota's hunting grounds. Thus Red Cloud became one of the few Indians ever to win an armed conflict against the U.S. Army. (Harbaugh, P., 1982)
Dimensions
15.5 X 12 cm
Size Overall
51 X 41 cm
Medium
Black and white photograph
Condition
Cockling of mat in area TM and BM.
Primary Support
paper
Secondary Support
mat, plexiglass, backing board; frame - metal
Accession Number
0433
Show Less

American Horse

http://archives.brandonu.ca/en/permalink/artworks34
Artist
Barry, D. F.
Collection
"Chiefs of the Sioux Wars and the Battle of Little Bighorn, published by Paul Harbaugh; Denver, Colorado, 1982."
Date
1897
Form
photograph
Series
portfolio 67/150
Description
American Horse 'Wasechum Taschunka' (1840-1908). 'Wasechum Taschunka' took on the name American Horse following the death of his uncle ate the Battle of Slim Buttes. During the reservation days, he was considered a notable progressive and became a head Oglala spokesman. As an orator and diplomat, he represented his people in numerous negotiations with the federal government. Following the tragedy of Wounded Knee he became the leader of a unified Sioux delegation which traveled to Washington seeking a more equitable treatment for the Sioux. In his later years he traveled with Buffalo Bill and the Wild West Show. (Harbaugh, P., 1982)
Dimensions
16 X 11.5 cm
Size Overall
51 X 41 cm
Medium
Black and white photograph
Condition
good
Primary Support
paper
Secondary Support
mat, plexiglass, backing board; frame - metal
Accession Number
0432
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Snow pattern and reflection on slope at Sentinel Pass, Larch Valley, Rocky Mountains; Banff National Park, Alberta

http://archives.brandonu.ca/en/permalink/artworks709
Artist
Milne, Courtney
Collection
Spirit of the Land
Form
photograph
Date
1970
Accession Number
279
Title Variation
Alberta
Artist
Milne, Courtney
Collection
Spirit of the Land
Date
1970
Form
photograph
Dimensions
50.5 X 76 cm
Size Overall
same as image
Medium
color photograph
Condition
good
Primary Support
paper
Secondary Support
none
Accession Number
279
Show Less

Spirit Ridge, sandstone cliff; Northern Canada

http://archives.brandonu.ca/en/permalink/artworks774
Artist
Milne, Courtney
Collection
The Sacred Earth
Form
photograph
Date
1978
Accession Number
231
Title Variation
Canada
Artist
Milne, Courtney
Collection
The Sacred Earth
Date
1978
Form
photograph
Series
4/10
Dimensions
74 X 47 cm
Size Overall
89.5 X 61.5 cm
Medium
color photograph
Condition
good
Primary Support
paper
Secondary Support
mat, plexiglass, backing board; frame - metal
Accession Number
231
Show Less

Poplar grove in sunset light; Great Sand hills, Saskatchewan

http://archives.brandonu.ca/en/permalink/artworks730
Artist
Milne, Courtney
Collection
Spirit of the Land
Form
photograph
Date
1981
Accession Number
300
Title Variation
Saskatchewan
Artist
Milne, Courtney
Collection
Spirit of the Land
Date
1981
Form
photograph
Dimensions
47 X 74 cm
Size Overall
61.5 X 89.5 cm
Medium
color photograph
Condition
good
Primary Support
paper
Secondary Support
mat, plexiglass, backing board; frame - metal
Accession Number
300
Show Less

Mortuary poles, Ninstints; Anthony Island, Queen Charlotte Islands, B.C.

http://archives.brandonu.ca/en/permalink/artworks690
Artist
Milne, Courtney
Collection
Spirit of the Land
Form
photograph
Date
1982
Accession Number
260
Title Variation
C.
Artist
Milne, Courtney
Collection
Spirit of the Land
Date
1982
Form
photograph
Dimensions
50.5 X 76 cm
Size Overall
same as image
Medium
color photograph
Condition
good
Primary Support
paper
Secondary Support
none
Accession Number
260
Show Less

Prophecy, silhouettes of bison; unidentified prairie location

http://archives.brandonu.ca/en/permalink/artworks739
Artist
Milne, Courtney
Collection
Spirit of the Land
Form
photograph
Date
1982
Accession Number
309
Title Variation
Prophecy, silhouettes of bison; unidentified prairie location
Artist
Milne, Courtney
Collection
Spirit of the Land
Date
1982
Form
photograph
Dimensions
47 X 74 cm
Size Overall
61.5 X 89.5 cm
Medium
color photograph
Condition
good
Primary Support
paper
Secondary Support
mat, plexiglass, backing board; frame - metal
Accession Number
309
Show Less

Detail of mortuary pole, Ninstints; Anthony Island, Queen Charlotte Islands, B.C.

http://archives.brandonu.ca/en/permalink/artworks756
Artist
Milne, Courtney
Collection
The Sacred Earth
Form
photograph
Date
1982
Accession Number
213
Title Variation
C.
Artist
Milne, Courtney
Collection
The Sacred Earth
Date
1982
Form
photograph
Series
4/10
Dimensions
50.5 X 76 cm
Size Overall
same as image
Medium
color photograph
Condition
good
Primary Support
paper
Secondary Support
none
Accession Number
213
Show Less

Queen Elizabeth II

http://archives.brandonu.ca/en/permalink/artworks1116
Artist
unknown
Form
photograph
Date
1984
Accession Number
0136
Artist
unknown
Date
1984
Form
photograph
Dimensions
51 X 41 cm
Size Overall
79 X 60 cm
Medium
Black and white photograph
Condition
good
Primary Support
paper
Secondary Support
plexiglass, backing board; frame - wood
Inscriptions
Inscription: This picture was presented to the president of Brandon University, Dr. E. J. Tyler by Her Majesty Queen Elizabeth II in appreciation to members of Brandon University faculty, staff and administration for the arrangements associated with Her Majesty's October 5, 1984 visit to name the new Music Building.
Accession Number
0136
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Alligator and reflection, Anhinga Trail; Everglades National Park; Florida

http://archives.brandonu.ca/en/permalink/artworks708
Artist
Milne, Courtney
Collection
Spirit of the Land
Form
photograph
Date
1985
Accession Number
278
Title Variation
Florida
Artist
Milne, Courtney
Collection
Spirit of the Land
Date
1985
Form
photograph
Dimensions
50.5 X 76 cm
Size Overall
same as image
Medium
color photograph
Condition
good
Primary Support
paper
Secondary Support
none
Accession Number
278
Show Less

Rainbow kelp in tidal pool; Lyle Island, Pacific Rim National Park, B.C.

http://archives.brandonu.ca/en/permalink/artworks787
Artist
Milne, Courtney
Collection
The Sacred Earth
Form
photograph
Date
1985
Accession Number
244
Title Variation
C.
Artist
Milne, Courtney
Collection
The Sacred Earth
Date
1985
Form
photograph
Series
4/10
Dimensions
47 X 74 cm
Size Overall
61.5 X 89.5 cm
Medium
color photograph
Condition
good
Primary Support
paper
Secondary Support
mat, plexiglass, backing board; frame - metal
Accession Number
244
Show Less

238 records – page 1 of 12.