Kurt Kranz was born at Emmerich on the Rhine in 1910 and joined the Bauhaus in 1930. In 1950 he became an Assistant Professor to the Hamburg Academy of Art. During much of the 1930s, Kranz headed Herbert Bayer's Dorland Studio in Berlin. He held a number of visiting professor or similar positions in the United States: Tulane University (1957-1958); University of California, Santa Barbara (1965); Academy of Honolulu(1966); Nihon University, Tokyo; and Harvard (1967-1968). The Chammber of the Turk series of watercolors were included in the circulation exhibition by the Smithsonian Institute 1973-1975 entitled "kurt kranz bauhaus and today."
Dimensions
56 X 75.5 cm
Size Overall
69 X 89 cm
Medium
watercolor
Condition
The backing paper on which the painting floats is ripped in the TL corner.
Kurt Kranz was born at Emmerich on the Rhine in 1910 and joined the Bauhaus in 1930. In 1950 he became an Assistant Professor to the Hamburg Academy of Art. During much of the 1930s, Kranz headed Herbert Bayer's Dorland Studio in Berlin. He held a number of visiting professor or similar positions in the United States: Tulane University (1957-1958); University of California, Santa Barbara (1965); Academy of Honolulu(1966); Nihon University, Tokyo; and Harvard (1967-1968). The Chammber of the Turk series of watercolors were included in the circulation exhibition by the Smithsonian Institute 1973-1975 entitled "kurt kranz bauhaus and today."
Kurt Kranz was born at Emmerich on the Rhine in 1910 and joined the Bauhaus in 1930. In 1950 he became an Assistant Professor to the Hamburg Academy of Art. During much of the 1930s, Kranz headed Herbert Bayer's Dorland Studio in Berlin. He held a number of visiting professor or similar positions in the United States: Tulane University (1957-1958); University of California, Santa Barbara (1965); Academy of Honolulu(1966); Nihon University, Tokyo; and Harvard (1967-1968). The Chammber of the Turk series of watercolors were included in the circulation exhibition by the Smithsonian Institute 1973-1975 entitled "kurt kranz bauhaus and today."
Kurt Kranz was born at Emmerich on the Rhine in 1910 and joined the Bauhaus in 1930. In 1950 he became an Assistant Professor to the Hamburg Academy of Art. During much of the 1930s, Kranz headed Herbert Bayer's Dorland Studio in Berlin. He held a number of visiting professor or similar positions in the United States: Tulane University (1957-1958); University of California, Santa Barbara (1965); Academy of Honolulu(1966); Nihon University, Tokyo; and Harvard (1967-1968). The Chammber of the Turk series of watercolors were included in the circulation exhibition by the Smithsonian Institute 1973-1975 entitled "kurt kranz bauhaus and today."
Kurt Kranz was born at Emmerich on the Rhine in 1910 and joined the Bauhaus in 1930. In 1950 he became an Assistant Professor to the Hamburg Academy of Art. During much of the 1930s, Kranz headed Herbert Bayer's Dorland Studio in Berlin. He held a number of visiting professor or similar positions in the United States: Tulane University (1957-1958); University of California, Santa Barbara (1965); Academy of Honolulu(1966); Nihon University, Tokyo; and Harvard (1967-1968). The Chammber of the Turk series of watercolors were included in the circulation exhibition by the Smithsonian Institute 1973-1975 entitled "kurt kranz bauhaus and today."
Kurt Kranz was born at Emmerich on the Rhine in 1910 and joined the Bauhaus in 1930. In 1950 he became an Assistant Professor to the Hamburg Academy of Art. During much of the 1930s, Kranz headed Herbert Bayer's Dorland Studio in Berlin. He held a number of visiting professor or similar positions in the United States: Tulane University (1957-1958); University of California, Santa Barbara (1965); Academy of Honolulu(1966); Nihon University, Tokyo; and Harvard (1967-1968). The Chammber of the Turk series of watercolors were included in the circulation exhibition by the Smithsonian Institute 1973-1975 entitled "kurt kranz bauhaus and today."
Mrs. Butuk, resident of Medicine Hat and Eatonia, Saskatchewan, held an exhibition at Brandon College, 1966, mainly of oil paintings of prairie and South Saskatchewan River Valley scenes. (BU Art Catalogue, 1983) Some mountain scenes from study at Banff School.
This painting was one of twelve done as part of Amiotte's requirements for the Master of Interdisciplinary Studies degree and has been widely exhibited. The artist's work is included in numerous private and public collections including the National Museum of the American Indian/Smithsonian and the Joslyn Art Museum.
Dimensions
122 X 182.5 cm
Size Overall
same as image
Medium
latex and acrylic
Condition
Stretcher frame is slightly twisted. Various marks on canvas in areas TR, crayon mark; MR, yellow accretion; BR, yellow accretion; and BL, pencil marks.
Joan Pruden is a Western Manitoban artist. Widow, mother of four, draftsman with Bell Telephone; has been an active painter for eight years; mostly self-taught; has a sensitive interpretation; good sense of design. (1969 inventory)
Cesari, born in Corsica, later moved to Florence, where he studied art. Between 1940 and 1946 he studied at various schools in Paris. Cesari, a personal friend of Henri and Yvonne Franq (members of college faculty), visited them in spring 1966 and held an exhibition in the Music building, opening April 16. Some of his painting were obtained by BU from this exhibition. (BU Art Catalogue, 1983).
Dimensions
54 X 74 cm
Size Overall
62.5 X 82.5 cm
Medium
oil
Condition
Canvas loose from frame in TR corner. Two spots of foreign metallic color in mid-right register.
Barry Burdeny, whose home was at Vita, Manitoba, won first place at age 17 (in 1962) in a school art competition with some 10,000 plus entries and a prize of several thousand dollars. He produced many paintings in the next two years and entered Brandon College in 1964. (BU Art Catalogue, 1983)
Some accretion in lower right part of image. Two tears in upper part of painting (TL c.. 6cm; TR c.. 3 cm). One tear in area left on center. Two poke holes in area down from center. Two gobs of gum-like substance in BR area, as well as paint abrasio
Gary Burnett lives in Brandon. His work was exhibited at the Art Gallery of Southwestern Manitoba and is included in many private collections (1996 inventory).
Dimensions
182.5 X 244.5 cm
Size Overall
same as image
Medium
acrylic
Condition
Minor scratches on BR side. Surface piece of masonite peeled off at 65cm from bottom and 53cm from left.
Ena Skafel has studied in Brandon and at the Banff School of Fine Arts under W.J. Phillips, W.G. Clyde, and W. Townsend. She has exhibited at the Brandon Allied Arts Center, the Brandon Library (sponsored by the Brandon Council of Women), Banff School of Fine Arts, Banff Traveling Exhibition, Canadian National Exhibition, Manitoba Society of Artists and at the Galerie Loujetsky, The Hague, Holland. (BU Art Catalogue, 1983).
Dimensions
54 X 69 cm
Size Overall
68.5 X 84 cm
Medium
oil
Condition
Paint loss in area TR 10cm X R 22cm, c.. 0.5cm in diameter. Grungy accretion stains in TL and middle of image. Paint cracks in middle and TM of image, which could be result of blow or pressure from the back of canvas.
Primary Support
canvas
Secondary Support
no backing board; frame - wood and plaster with gild
Inscriptions
Inscription: Presented to Brandon College by Mr. and Mrs. E. Fotheringham, October 1958.
